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Why isn't the music enough? “Silence and Rapture” from the Australian Chamber Orchestra

Dancers Liam Green and Emily Seymour
© Daniel Boud
Emily Seymour and Richard Tognetti
© Daniel Boud
Liam Green, Emily Seymour Iestyn Davies and the ACO
© Daniel Boud
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“Davies delivered with clear unforced tone, ringing high notes and immaculate phrasing”
Reviewed at Perth Concert Hall, Perth WA on 14 August 2024
Bach, Canon trias harmonica, BWV1072
Pärt, Collage über B-A-C-H: Toccata
Bach, Cantata “Widerstehe doch des Sunde”, BWV54: Aria “Wer Sünde tut, der ist vom Teufel”
Bach, Sonata for violin and keyboard no. 2 in A major, BWV1015 (Dolce)
Bach, Cantata “Ich bin ein guter Hirt”, BWV85: Aria “Jesus ist ein guter Hirt”
Pärt, Fratres
Bach, Violin sonata no. 2 in A minor, BWV1003: Andante
Bach, St Matthew Passion, BWV244: Erbarme dich mein Gott
Pärt, Für Lennart in memoriam
Pärt, My Heart's in the Highlands
Bach, Der Herr denket an uns (Psalm 115) - Cantata, BWV196 (Sinfonia)
Pärt, Vater Unser
Bach, Cello suite no. 3 in C major, BWV1009: Praeludium
Bach, Magnificat in D major, BWV243: Et exultavit
Pärt, Pari Intervallo, for organ
Bach, The Art of Fugue: Fuga a 3 Soggetti (unfinished)
Hindemith, Trauermusik for viola and strings (Sehr langsam)
Richard Tognetti, Violin, Director
Iestyn Davies, Countertenor
Rafael Bonachela, Choreography
Stefanie Farrands, Viola
Timo-Veikko Valve, Cello
Chad Kelly, Organ, Harpsichord
Australian Chamber Orchestra
Sydney Dance Company
Sydney Dance Company: maintaining the momentum on tour
****1
Sydney Dance Company’s Somos: intimacy and the art of holding back
****1
New Breed: a showcase of Sydney Dance Company's next generation
****1
Sydney Dance Company’s Twofold: a quirky bulldozer of authenticity
*****
Sydney Dance Company: gimmickry combined with athleticism
***11
Go Gaga for Ohad Naharin's Decadance in Sydney
****1
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