National pride without sentimentality

By Simon Cummings, 15 February 2018

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“the work’s lush, dreamy lyricism genuinely caught fire”

Reviewed at Symphony Hall, Birmingham on 14 February 2018

Mozart, Don Giovanni, K527: Overture

Dvořák, Cello Concerto in B minor, Op.104

Dvořák, Symphony no. 9 in E minor, "From the New World", Op.95

Czech Philharmonic

Tomáš Netopil, Conductor

Alisa Weilerstein, Cello

A heartfelt reunion with the Czech Philharmonic in Prague

Frank Kuznik, 19th March

A stellar soloist and deft work by Semyon Bychkov put a fresh spin on familiar fare in the Rudolfinum.

****1

Searing Kindertotenlieder from Fleur Barron and Czech Philharmonic

Gianmarco Segato, 18th February

Fleur Barron delivers a searing Kindertotenlieder in the Czech Philharmonic's mini-survey of the Germanic Romantic repertoire under Semyon Bychkov.

****1

Rockin’ at the Rudolfinum: the Czech Phil plays Bryce Dessner

Frank Kuznik, 5th February

American guitarist and composer Bryce Dessner brings a subdued palette to his debut appearance with the Czech Philharmonic.

****1

Modern mayhem from Thomas Adès and the Czech Philharmonic

Frank Kuznik, 5th December

The composer and conductor celebrates Pierre Boulez's 100th birthday in fine fashion with a smart program and fervent work from both sides of the podium.

*****

Chills and thrills from Pappano and the Czech Philharmonic

Frank Kuznik, 27th November

In expert hands, a terrifying 12-tone opera and a heroic piano concerto rattle the walls in Prague’s Rudolfinum.

*****

Spirited Velvet Revolution concert from Oramo and the Czech Phil

Frank Kuznik, 16th November

Conducted by Sakari Oramo, the Czech Philharmonic turn in a brilliant performance of Mahler's Resurrection Symphony that lights all the old revolutionary fires.

*****

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Simon Cummings

Simon Cummings is a composer, writer and researcher based in the Cotswolds. He composes instrumental and electronic music, exploring aspects of algorithmic composition, and has recently completed a Ph.D. in composition at the Birmingham Conservatoire under the supervision of Richard Causton and Howard Skempton. His musical tastes are ludicrously broad but are focused most on contemporary/avant-garde classical and electronic music. When not composing, he writes regularly about new music; Simon is the author of the contemporary music blog 5:4 (5against4.com), and regularly contributes articles for a variety of books, journals and websites. Follow him on Twitter @5against4.

National pride without sentimentality: the Czech Philharmonic at Symphony Hall