Leonardo García-Alarcón's exhumation of Bembo's work proves a winner, in a hyper-quirky staging by Netia Jones with Julie Fuchs as the pick of the fine singers.
Tom Creed’s witty production at Lismore Castle delivers strong singing, sharp comedy and lively orchestral playing, even if the opera’s darker supernatural edges are somewhat diminished.
Based on the East Coast, Gale is an award-winning writer on the performing arts, books, literature and popular culture. She has just published Don Juan in Hankey and you can read her Operatoonity blog. Her articles have appeared in numerous anthologies.
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