At the Berlin Philharmonie, Franz Welser-Möst guides the audience through two centuries of Viennese music, including the German premiere of Bernd Deutsch's Intensity.
The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them.
For her debut at the head of the Berliner Philharmoniker, Marin Alsop reflects on what a ‘home’ is through works by Tarkiainen, Dean, Copland and Villa-Lobos.
Hugo
Shirley is a Berlin-based writer and musicologist. He has written
widely as a critic in the UK, including for The Spectator, the Financial
Times and Daily Telegraph, and has held editorial posts at both Opera
and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and
has a PhD in musicology from King's College London, where his thesis
focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.
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