Khan's Kash

By Cristina de Lucas, 05 March 2016

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“pristine, fast and precise ... emotionally detached and committedly physical.”

Reviewed at Sadler's Wells Theatre, London on 3 March 2016

Kaash (Akram Khan)

Akram Khan Company

Anish Kapoor, Set Designer

Kimie Nakano, Costume Designer

Akram Khan’s Giselle for ENB at the Coliseum: hauntingly mesmeric

Deborah Weiss, 15th January

ENB have brought Akram Khan’s Giselle to London's Coliseum for the first time. It’s looking better than ever and should not be missed.

*****

‘Osipova/Linbury’: a pot pourri of delights

Deborah Weiss, 10th November

An interesting evening displaying the many facets of Natalia Osipova's talents alongside her equally exciting guests at the Linbury.

****1

Thikra: Night of Remembering – past voices shaping our present

Daniel Pratt, 29th October

Akram Khan in concentrated colour, setting the darkness chiming with Thikra: Night of Remembering at London's Sadler's Wells.

****1

Norwegian National Ballet's Dialogues II: brief but brilliant

Graham Watts, 3rd April

A brief but excellent programme of five duets showcased on the main stage of the Den Norske Opera.

***11

Gigenis: Akram Khan’s latest, affecting work

Amanda Jennings, 20th November

This is a dance piece that illuminates cultural and experiential history in a way that is accessible to everyone.

*****

ENB in Akram Khan’s Giselle: compelling, astonishing, unmissable

Deborah Weiss, 18th September

Akram Khan's Giselle becomes ever more watchable with every viewing. A rollercoaster version of the traditional classic.

*****

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Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

Akram Khan’s Kaash Revisited