An overwhelming Resurrection from The Hallé and Kahchun Wong

Kahcun Wong conducts The Hallé, with Masabane Cecilia Rangwanasha and Dame Sarah Connolly

The RLPO's Forever Bells

The Hallé in Bridgewater Hall

By Rohan Shotton, 17 January 2025

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“idiosyncratic in the mould of Kleiber, hyper-literal to the point of occasionally distracting”

Reviewed at The Bridgewater Hall, Manchester on 16 January 2025

Mahler, Symphony no. 2 in C minor "Resurrection"

The Hallé

Kahchun Wong, Conductor

Masabane Cecilia Rangwanasha, Soprano

Dame Sarah Connolly, Mezzo-soprano

The Hallé Choir

The Hallé Youth Choir

Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

Leighton Jones, 16th April

Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.

****1

Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

*****

Nico Muhly’s vision of the end of the world comes to Sheffield

Phil Parker, 15th March

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

****1

Avant-garde echoes meet minimalist soundscapes in Hallé concert

Pwyll ap Sion, 26th February

Jonny Greenwood’s genre-defying music is given a powerful performance by violinist Daniel Pioro and members of The Hallé Orchestra under Hugh Tieppo-Brunt.

****1

Celestial journeys with Kahchun Wong and the Hallé

Rohan Shotton, 19th February

Kahchun Wong returns to The Hallé for Holst and Unsuk Chin, with a postscript from Colin Matthews

***11

The Hallé brings Salonen, Grieg and Sibelius to Sheffield

Phil Parker, 23rd January

Dazzling young German pianist Julius Asal and stand-in conductor Duncan Ward breathe new life into the familiar in repertoire by Grieg and Sibelius.

****1

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Rohan Shotton

Rohan has reviewed concerts and opera across the UK and Europe, but chiefly in Manchester, where he enjoys conducting and playing percussion and piano. He works as a hospital doctor, having studied in St Andrews and Manchester, and tweets as @RohanShotton.