Abraham's Pavement

By Philippa Newis, 19 November 2017

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“testimony to the need for change”

Reviewed at Sadler's Wells Theatre, London on 17 November 2017

Pavement (Kyle Abraham)

Abraham.In.Motion

Falling for Kyle Abraham, again, at New York City Ballet

Carla Escoda, 16th May

When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.

****1

Abraham's 2x4 is a bright spot in an uneven program

Ivy Lin, 22nd April

A.I.M by Kyle Abraham at the Joyce Theater proved to be a mixed offering with his own piece, 2x4, coming off best.

***11

Kyle Abraham’s An Untitled Love: a stunning piece of dance theatre

Amanda Jennings, 29th January

An Untitled Love is a brilliant piece of theatre centred on inventive, creative dance that enthrals and amuses whilst conveying several serious messages.

*****

Encounters: The Royal Ballet at its versatile best

Amanda Jennings, 22nd October

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

****1

American Ballet Theatre: Kyle Abraham's Mercurial Son disappoints

Ivy Lin, 16th October

Bond’s La Boutique was delightful, Abraham’s Mercurial Son, a little disappointing but Lander's Études sent the audience home happy.

****1

Love Letter (on shuffle) anchors eclectic NYCB program

Ivy Lin, 15th May

Love Letter (on shuffle) is like a Taylor Swift Track 5. Full of romance and longing, and it makes its emotional impact every time.

****1

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Philippa Newis

Philippa Newis has a Masters degree in Dance. She works as a conciliator specialising in industrial relations. She is passionate about increasing participation in dance and has a strong interest in writing about emerging dance artists and choreographers.

Choreographer Kyle Abraham debuts at Sadler's Wells.