Live, Video: Find classical music concert, opera, ballet and dance reviews | Kyle Abraham

A.I.M by Kyle Abraham with guest artist Taylor Stanley bring a postmodern vibe to an early MTV-era playlist. One of the most bewitching things you're likely to encounter this year. 

When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.

A.I.M by Kyle Abraham at the Joyce Theater proved to be a mixed offering with his own piece, 2x4, coming off best.

An Untitled Love is a brilliant piece of theatre centred on inventive, creative dance that enthrals and amuses whilst conveying several serious messages.

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

Bond’s La Boutique was delightful, Abraham’s Mercurial Son, a little disappointing but Lander's Études sent the audience home happy.

Love Letter (on shuffle) is like a Taylor Swift Track 5. Full of romance and longing, and it makes its emotional impact every time.

A world premiere from Rena Butler and two fine revivals from Kyle Abraham buoy a performance of A.I.M at SUNY-Purchase.

An intermittently sparkling evening culminates in a thrilling explosion of art.

After a long absence from Edinburgh stages, Alvin Ailey American Dance Theater gave electrifying performances at the International Festival.

With choreographers like Ronald K. Brown and Kyle Abraham working with the company, the repertory might finally match the talents of the dancers.

Contemporary ballet often shies away from unabashed romance. Kyle Abraham instead leans into the love story. 

Kyle Abraham reimagines Mozart's Requiem with an electronic score by Jlin, a futuristic set and choreography that says little about life or death. 

At Sadler's Wells, Kyle Abraham’s new work is visually splendid with glittering moments but without any coherent form. 

Partita has emerged as one of the stronger Peck ballets. If we see more Partita and less Principia, that’s a good thing.

Kyle Abraham's The Weathering doesn't feel particularly fresh on its premiere, but Crystal Pite's Solo Echo and Christopher Wheeldon's Danse à Grande Vitesse pep up the first triple bill of the season at Covent Garden. 

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

After the success of The Runaway, it wasn’t surprising that Kyle Abraham was tapped to create a new work for NYCB’s 2021 Digital Season.

New York City Center’s annual Fall for Dance festival heads online in a pair of programs, one much stronger than the other. 

As City Ballet grapples with lawsuits and lurid accusations, and the loss of an unprecendented number of male principals, new works by Kyle Abraham, Gianna Reisen, and Matthew Neenan stoke inspired performances from the dancers. 

Kyle Abraham’s A.I.M opened the Lar Lubovitch-curated NY Quadrille at the Joyce with Dearest Home, a deeply personal work.

Abraham's choreography is an intricate conversation between dance styles. The cast are multi-lingual, speaking with more than one movement language simultaneously. Loose limbed arms and rolling hips converge with crisp arabesques and spinning top pirouettes. 

A moving, meditative evening with the dancers of Abraham.In.Motion in Kyle Abraham's latest and perhaps most personal work at the Yerba Buena Center for the Arts 

Open-ended works provide different angle on Ballet across America

Kyle Abraham's Abraham.in.Motion offers an evening of undeniable rawness at the Joyce Theater in NYC.

<em>When the wolves came in</em> is th epening act as well as the title of Abraham.In.Motion's second program, presented at NYLA. 

Kyle Abraham, resident commissioned artist at NYLA and his company Abraham.In.Motion present a double program. The first, <em>the Watershed</em> was presented last week in NY . 

Soziale Fragen kultureller Identität stellt der New Yorker Choreograf Kyle Abraham in Live! The Realest MC und tourt mit dem Stück, beginnend in Paris, durch Europa.

Le travail de Kyle Abraham, véritable chronique sur les conflits raciaux des banlieues noires américaines, s’inscrit dans une démarche artistique engagée. Son approche factuelle laisse pourtant la place à une recherche artistique originale et sensée, mêlant l’expressivité du break-dance à la douceur de la danse contemporaine.