A Mind-Bending And Gravity-Defying Leo

By Sarah Navin, 06 July 2014

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“for its unique concept and playfulness it’s a fun, family-friendly night out that teases the mind ”

Reviewed at Sydney Opera House: Joan Sutherland Theatre, Sydney on 4 July 2014

Leo

Flavia Hevia, Set Designer

William Bonnet, Dancer

Daniel Brière, Director

Gregg Parks, Producer

The Trocks at Sadler’s Wells: uproariously entertaining

Graham Watts, 5th May

A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.

****1

Parsons Dance brings the fun to modern at the Joyce Theater

Ivy Lin, 1st May

Six works, including two world premieres, made up the latest program from Parsons Dance. Thoroughly joyful, the audience were sent home buzzing.

*****

The Dutch National Ballet’s Hans van Manen in Carré

Mark Vicente, 30th April

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

*****

A triumphant Romeo and Juliet from Philadelphia Ballet

Leigh Donlan, 30th April

Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.

****1

BLUSH makes new meaning at New York’s 92nd St Y

Carla Escoda, 30th April

17 years after its premiere, Andrea Miller’s BLUSH, set on her company, GALLIM, returned to entrance and perplex in equal measure at New York’s 92nd St Y.

***11

Ballet Nights 011 – Convergence a winning formula at Cadogan Hall

Deborah Weiss, 29th April

Another tick for the Ballet Nights team, the audience at Cadogan Hall enjoying a varied and exceptional programme of new and legacy works.

****1

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Sarah Navin

Sarah Navin started ballet at age 6, as she couldn’t walk in a straight line without skipping and twirling. As well as studying classical dance, she went on to perform in hip-hop ensembles, cheerleading squads, and developed a love of musical theatre – starring in shows such as The Boy From Oz, Legally Blonde The Musical and Rock of Ages. She is a Sydney-based television journalist by day, and swaps political reporting for dancing at night, either performing or attending performances – where she enjoys the chance to write creatively through a critiquing lens.

Leo's Axis of Imagination: Sydney Opera House