Sunlight on stage: Opera Australia's Marriage of Figaro returns

By Chantal Nguyen, 30 January 2022

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“the combination of colour and sunlight is so delicious you want to bottle it up and take it home”

Reviewed at Sydney Opera House: Joan Sutherland Theatre, Sydney on 29 January 2022

Mozart, Le nozze di Figaro (The Marriage of Figaro)

Opera Australia

Andrea Molino, Conductor

Sir David McVicar, Director

Jenny Tiramani, Set Designer

David Finn, Lighting Designer

Opera Australia Orchestra

Opera Australia Chorus

Andy Morton, Revival Director

Ekaterina Morozova, Countess Almaviva

Stacey Alleaume, Susanna

Agnes Sarkis, Cherubino

Mario Cassi, Count Almaviva

Tommaso Barea, Figaro

Richard Anderson, Doctor Bartolo

Danita Weatherstone, Barbarina

Celeste Lazarenko, First Bridesmaid

Angela Hogan, First Bridesmaid

Sian Sharp, Marcellina

Benjamin Rasheed, Don Basilio

Stuart Haycock, Don Curzio

Andrew Moran, Antonio

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Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

****1

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Jeremy Eccles, 27th January

Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.

***11

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Sandra Bowdler, 15th January

Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.

****1

Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney

Sandra Bowdler, 31st July

Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

****1

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Jeremy Eccles, 19th July

Nicole Car makes her role debut as Dvořák's Rusalka in a production by Sarah Giles that proves a winner.

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Danielle de Niese's assumes the title role at the Sydney Opera House, leading an impressive cast with an interesting approach to characterisation with a somewhat over the top blingy setting.

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Chantal Nguyen

Chantal has a background in ballet and contemporary dance, and was the first Australian to complete the International Baccalaureate Diploma Programme in Higher Level Dance. She has completed violin studies, and plays regularly in Sydney ensembles. She also dabbles in folk songs and subversive musical parody.