Uchida’s Beethoven meets Shostakovich’s farewell at Carnegie Hall

Andris Nelsons, Dame Mitsuko Uchida and the Boston Symphony Orchestra

Andris Nelsons conducts the Boston Symphony Orchestra

By Edward Sava-Segal, 24 April 2025

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“the percussion, cold and mechanical, ticked out the final moments with chilling detachment”

Reviewed at Carnegie Hall: Stern Auditorium, New York City on 23 April 2025

Beethoven, Piano Concerto no. 4 in G major, Op.58

Shostakovich, Symphony no. 15 in A major, Op.141

Boston Symphony Orchestra

Andris Nelsons, Director, Conductor

Dame Mitsuko Uchida, Piano

A Evgeny Kissin tour de force in Boston

Kevin Wells, 25th April

Andrey Boreyko makes an impressive debut with the Boston Symphony, where Evgeny Kissin performs in not one, but two piano concertos.

****1

Andris Nelsons and the BSO arrive in New York, with baggage in tow

Cameron Kelsall, 9th April

In his first New York appearance since the termination of his contract as BSO Music Director, Nelsons courts public sympathy and makes some thrilling music.

***11

Herbert Blomstedt conducts Brahms with the Boston Symphony

Kevin Wells, 5th March

Herbert Blomstedt demonstrates the “singability” of Brahms in his latest appearance with the Boston Symphony, concluding with the autumnal glow of the Fourth Symphony.

*****

An earthbound Missa Solemnis from Boston Symphony Orchestra

Cameron Kelsall, 11th October

In celebration of the 125th anniversary of Symphony Hall, Andris Nelsons returns to the work that opened the venue on 15th October 1900.

***11

Andris Nelsons and the Boston Symphony perform Debussy and Mahler

Kevin Wells, 4th October

Andris Nelsons celebrates Symphony Hall’s 125th anniversary with two works contemporaneous to the hall’s first season: Debussy’s Nocturnes and Mahler’s Symphony no. 4 (both premiered in 1901).

***11

As usual, Beethoven ushers out the BSO season at Tanglewood

Cameron Kelsall, 24th August

The season-ending performance of Beethoven's Ninth Symphony loses its intended conductor but remains enjoyable, if somewhat under-rehearsed.

***11

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.