New cellist, same radiating intensity: Quatuor Ébène at Zankel Hall

By Edward Sava-Segal, 06 April 2024

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“from the very first bars... it became apparent that the quartet had seamlessly adapted to the change”

Reviewed at Carnegie Hall: Zankel, New York City on 5 April 2024

Mozart, String Quartet in D major "Prussian", K575

Bartók, String Quartet no. 3, Sz. 85

Grieg, String Quartet in G minor, Op.27

Quatuor Ébène

Pierre Colombet, Violin

Gabriel Le Magadure, Violin

Marie Chilemme, Viola

Yuya Okamoto, Cello

The power of clarity: Quatuor Ébène at the Concertgebouw

Antonio D'Amato, 8th November

The Quatuor Ébène deliver striking clarity and deep musical understanding in performances of Mozart, Debussy and Brahms.

*****

Echoes of Youth: the Belcea and Ébène Quartets at Carnegie Hall

Edward Sava-Segal, 14th November

A concert of Mendelssohn and Enescu octets which proves that eight can be more than four plus four.

****1

A game of numbers: Belcea Quartet and Quatuor Ébène play octets

Alexander Hall, 28th May

Sometimes you just marvel at the level of musical inspiration and the virtuosic quality of the playing. The two octets by Mendelssohn and Enescu make a very satisfying pairing.

****1

Zinging strings: Janine Jansen leads an all-Stradivarius octet

Mark Pullinger, 19th December

Violin dealers J & A Beare celebrate its 130th anniversary in lavish style by bringing together eight of the Cremona luthier’s exceptional instruments for a concert directed by Dutch violinist, Janine Jansen.

****1

A greatly accomplished performance by the Quatuor Ébène at Zankel Hall

Edward Sava-Segal, 30th March

One would never had guessed that the Ébènes had not played Shostakovich's dark Eighth String Quartet before this tour, such was the way their performance transcended individual agony to address human despair in general.

*****

Quatuor Ébène sends its audience home on a round of good cheer

Alexander Hall, 15th October

The leading French quartet Quatuor Ébène makes a mighty leap from a pre-revolutionary world in 1772 to the turbulence of 1923, only to return to sheltered calm in 1842: works by Haydn, Janáček and Schumann.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.