Darkness and dramatic irony in Roberto Devereux

By Ilana Walder-Biesanz, 08 April 2015

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“this... production, with Queen Elizabeth I looking a bit Thatcheresque, abounds in delicious ironies”

Reviewed at Nationaltheater, Munich on 7 April 2015

Donizetti, Roberto Devereux

Bavarian State Opera

Friedrich Haider, Conductor

Christof Loy, Director

Herbert Murauer, Set Designer, Costume Designer

Edita Gruberová, Elisabetta

Veronica Simeoni, Sara, Duchessa di Nottingham

Francesco Petrozzi, Lord Cecil

Alexey Dolgov, Robert Devereux

Franco Vassallo, Duca di Nottingham

Goran Jurić, Sir Gualtiero Raleigh

Bayerischer Staatsopernchor

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Ilana Walder-Biesanz

Ilana Walder-Biesanz is a product manager for Yahoo, a theatre and opera critic, and a classically trained mezzo-soprano. She explored theater and opera stagings as a Gates Scholar at Cambridge and as a Fulbright Scholar in Germany. She currently writes for Bachtrack, San Francisco Classical Voice, and Stark Insider. Twitter: @ilana_wb.

Darkness and dramatic irony in Bayerische Staatsoper's Roberto Devereux