Completely engaging performance of Pina Bausch’s Kontakthof: Echoes of ’78 finds our reviewer disappointed with Music Music from Trajal Harrell in Lugano.
The Royal Ballet has acquired a double bill from Sol León and Paul Lightfoot that transcended even the highest expectations. An evening to watch over and over again.
National Ballet of Japan’s revival of Sir Peter Wright’s Swan Lake showed the company in good form, especially among the unified corps de ballet Swans.
After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.
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