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English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

English National Ballet present a riveting triple bill of William Forsythe's works including audience favourite Playlist (EP) at Sadler's Wells.

English National Ballet give a meticulous account of Mary Skeaping's glorious Giselle.

A long-awaited new production of ENB's perennial seasonal classic is a visual feast.

Akram Khan's Giselle becomes ever more watchable with every viewing. A rollercoaster version of the traditional classic.

Junior soloist Ivana Bueno steps in at short notice to make her debut as Odette/Odile at the Royal Albert Hall with English National Ballet. It augurs well for her future.

Derek Deane's Swan Lake in-the-round makes a welcome return to the Royal Albert Hall. With the challenges of 360º scrutiny, English National Ballet rise triumphantly to each and every hurdle.

English National Ballet's annual Emerging Dancer Award, a popular date in the company's calendar, is always brimming with nervous excitement. The 2024 edition was no exception.

It's not an easy watch, but Johan Inger's Carmen is a brave commentary on misogyny in today's society. English National Ballet give of their best.

English National Ballet dance an old classic in a new light.

English National Ballet's current Nutcracker shows off the brilliance of the dancers across the ranks but after many years, the weaknesses in the plot and characterisation remain flawed.

English National Ballet appears refreshed and revitalised under its new artistic director.

Christopher Wheeldon's Cinderella in-the-round is an immersive experience in the grand ballroom scene but the romantic duets are robbed of an essential intimacy.

Creature is not an easy watch, but English National Ballet give memorable and compelling performances throughout.

Deane has created a production that respects the tradition of Swan Lake without unnecessary embellishment.

Wayne Eagling's production for English National Ballet does not show any signs of waning popularity... audiences still want their yearly fix!

English National Ballet tours its outgoing artistic director's revision of Petipa's Raymonda, but it's Glazunov who proves the real winner. 

Ek's second, very different take on Stravinsky's Rite crowns an English National Ballet triple bill extolling the pure joy of dance and exposing the terror of forced marriage. 

Tamara Rojo's English National Ballet takes Akram Khan's version of Giselle, created on the company, to the Brooklyn Academy of Music.

Petipa's classical choreography and Glazunov's ravishing score fuse with a reimagined narrative and bold choreographic additions to create a new Raymonda for the 21st century.

Despite excellent performances, time needs to be called on Wayne Eagling's Nutcracker. 

Have two Covid-enforced delays left too much time for Akram Khan and his team to tinker with their new creation for English National Ballet?

A mixed bag from the ENB repertoire to greet the summer solstice at the Royal Festival Hall. 

The ENB translates its digital films made during the pandemic into an evening of a live performance.

The choreographers selected ranged from the highly experienced (Yuri Possokhov, Sidi Larbi Cherkaoui and Russell Maliphant), and ENB’s Associate Choreographer (Stina Quagebeur) to a relative newcomer, 24-year-old Arielle Smith. 

This annual contest for young dancers at ENB proved to be a stellar year with a collection of excellent performances all-around 

A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

The spectacular dancing of Erina Takahashi, Francesco Gabriele Frola and Jeffrey Cirio is the principal reason to catch ENB's revival of this creaky swashbuckler. 

Despite confused storytelling in Wayne Eagling's version of ETA Hoffmann's tale, ENB's Nutcracker has some lovely dancing. 

Akram Khan's bold reimagining of Giselle continues to go from strength to strength. After touring to venues from Moscow to Chicago, it returns to Sadler's Wells. 

She Persisted is the sequel to English National Ballet's She Said, a triple bill featuring work by Annabelle Lopez Ochoa, Stina Quagebeur and Pina Bausch. 

Jurgita Dronina impresses as the heroine in this matinee performance of Sir Kenneth MacMillan's ballet at the Coliseum. 

A performance that overflows with rich detailing in every role

Jurgita Dronina adds a slight Russian touch to Derek Deane's Swan Lake in an evening marked by intense interpretations of the leading roles and gleaming performances from young soloists.

This Nutcracker is past its sell-by date although Tchaikovsky's evergreen score, beautifully interpreted, and elegant performances do their best to keep it fresh   

Lest We Forget, a triptych of original work first commissioned in 2014 for the centenary of the outbreak of the First World War now returns to the repertoire to commemorate a hundred years since the armistice of 1918.

A dutiful revival of Sir Kenneth MacMillan’s Sleeping Beauty from English National Ballet.

Forsythe’s choreography allows ENB's male corps to display their virtuoso skill in its mixed programme at Sadler's Wells.

ENB’s double-bill lurches, rather jarring, across centuries dividing a nineteenth century canonical romantic ballet from the streamlined expressionism of Kenneth MacMillan’s 1965 Song of the Earth. 

Exuberant performances have revitalised Wayne Eagling's radical interpretation of The Nutcracker as ENB's enduring tradition approaches 70 consecutive years.  

ENB performs Nureyev's Romeo ad Juliet, a production preoccupied with death, which lurks in every corner.

A pleasing finale to a remarkable nationwide celebration of a great British choreographer.  

Two complex works of genius, showing different aspects of the suffering of women, bring together The Royal Ballet and English National Ballet to honour Sir Kenneth MacMIllan 

A fine start to this unique collaboration between the five major ballet companies in the UK to mark the twenty-fifth anniversary of the passing of one of Britain's greatest choreographers 

Poetry infuses Tamara Rojo’s every step as Giselle in Akram Khan contemporary update of a ballet classic. 

Rudolf Nureyev’s production of Romeo and Juliet erupts with life, giving the dancers of English National Ballet the opportunity to show off spectacular dancing and dramatic content, as well as coping with his highly technical, yet deceivingly simple looking, steps.

English National Ballet's ambitious triple bill does not disappoint; it shows a company on the rise. 

A first-class, five-star evening made even more exceptional by the extra gift of Cojocaru’s masterclass

Wayne Eagling’s version for English National Ballet, however, risks confusing those new to ballet – and a few more experienced hands – thanks to muddled storytelling.  

The invention, clarity and freshness of the choreography is breathtaking throughout, made even more so by outstanding performance. This new Giselle is a masterpiece, taking English National Ballet to new heights.