Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire(Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.
An excellent extension to Akram Khan’s growing repertoire of contemporary ballet, Lady Macbeth, his first creation for Royal Danish Ballet, brought out powerful performances from the entire cast.
A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.
A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.
Lambrecht Wessels is a conflict analyst, publicist and avid dance fan living in Amsterdam. He writes about modern and classical dance, and follows Dutch National Ballet and the Netherlands Dance Theater especially. But he also visits dance performances in Belgium, the UK and Scandinavia.
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