An electroacoustic day of musical continents and galaxies

Shiva Feshareki

Bab-Khaneh: Gatehouse of Memory at the Barbican

By Peter Quantrill, 25 February 2025

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“familiarity has served to illuminate how Stockhausen draws in his listeners almost second by second”

Reviewed at Barbican Hall, London on 23 February 2025

Feshareki, Bab-Khaneh: Gatehouse of Memory

Stockhausen, Klang, Thirteenth Hour: Cosmic Pulses

Jack Sheen, Conductor

Shiva Feshareki, Turntables

BBC Symphony Orchestra

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Reviewed at Barbican Hall, London on 23 February 2025

Daverson, Figures Outside a Dacha, with Snowfall, and an Abbey in the Background

Mochizuki, Intrusions

Murail, Gondwana

Ilan Volkov, Conductor

BBC Symphony Orchestra

More gold than corn: María Dueñas plays Korngold at the Barbican

Mark Pullinger, 22nd May

The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.

****1

Billy Childs' Saxophone Concerto sings a song of America

Eleanor Knight, 8th May

Billy Childs Diaspora receives its UK premiere at the Barbican, performed by saxophonist Steven Banks.

****1

Sakari Oramo, Yeol Eum Son and the BBC Symphony in Seoul

SangKwon Lee, 26th March

Yeol Eum Son’s Britten Piano Concerto formed the evening’s centre of gravity, played with lucid line, structural command and sudden fire. In Brahms’ Second Symphony, Sakari Oramo found conviction, proportion and a warmth that felt earned rather than applied.

****1

Sakari Oramo and Yeol Eum Son summon up vivid landscapes

Christopher Woodley, 13th March

Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo.

****1

From snow to sludge: Icelandic music at the Barbican Centre

Marat Ingeldeev, 22nd February

A bewildering evening at the Barbican, where ambitious Icelandic programming collapses under its lofty ambition of defying genres and making music more appealing to a wide variety of audiences.

**111

Fine Lindberg and Stravinsky double bill from the BBC Symphony

Roy Westbrook, 6th February

After a performance of Magnus Lindberg’s First Violin Concerto by Lisa Batiashvili at the Barbican, Stravinsky’s Perséphone stands the test of time.

****1

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Peter Quantrill

Peter Quantrill is a regular contributor to Gramophone, The Strad and other journals. Recent programme notes have been published by the Salzburg and Edinburgh festivals, the Los Angeles Philharmonic and the Royal Ballet. He also writes about music and musicians for many record labels including Eloquence, Delphian, Signum, Danacord and Brilliant Classics. Once unplugged from his hi-fi, he can generally be found in a London concert hall or at the cricket, and he tweets (sporadically) @PeterQuantrill.

Bleeping fabulous: an electroacoustic day of musical continents and galaxies