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Revelling in the luscious orchestrations and sumptuous melodies, it was a rare treat to bask in such obvious delight from both conductor and orchestra.

Marking the centenary of the end of the First World War, Anna Meredith and 59 Productions' work proves a powerful, often surprisingly upbeat, commission.

Kaufmann’s magnificent instrument was not seen at its best in songs by Strauss, but there was pleasure from his clear artistry and the interesting orchestral pieces played by the BBCSO.

The BBC Symphony Orchestra was on tip-top form, with the buoyant Daniele Rustioni and mandolin virtuoso Avi Avital conjuring up a fresco of genuine Mediterranean delights.

Jake Heggie's spectacular vocal writing combine with Terence McNally's perfectly paced libretto to provide intense music drama which forces you to confront darkness.

Two works of personal victory, written at virtually the same point in history and against a backdrop of suffering, made up this very successful concert conducted by Sir Andrew Davis. 

The finale of the BBCSO’s Bernstein celebration features the composer at his most sublime and frivolous, and offers a rare performance of Songfest for six soloists and orchestra.

It's a rare treat to hear Spanish opera in London; Josep Pons and the BBC SO made a worthy case for hearing Falla’s El amor brujo and Granados’ Goyescas more often.

With its vertiginous vocal leaps and broad intervals, Komsi's pure pitch-perfect soprano soared like the eldrich keening of a sea bird. The spareness and incantatory intensity were heightened by the BBCSO and Oramo.

An all-Sibelius programme given by the BBC Symphony Orchestra and Sakari Oramo, featuring a UK première, an instrumental rarity and the First Symphony.

Sakari Oramo led an inspired BBC Symphony Orchestra in cultured performances of Sibelius, while Lisa Batiashvili produced a monumental UK première of Anders Hillborg’s evocative Violin Concerto No.2.

The musical riches provided notwithstanding, much was desired in the dazzling orchestral showpieces of the evening.

Like Sibelius, Florent Schmitt was another composer of great longevity. This concert saw an opportunity to hear his Symphony No. 2 paired with Sibelius' Symphony No. 3, with two piano pieces by Ravel and Franck in the middle.

Sparks flew as two British music giants, Vaughan Williams and Birtwistle, collided at the Barbican.

A dream programme of works by Strauss, Berg and Sibelius, matched by performances from Sakari Oramo, Alina Pogostkina and the BBC Symphony Orchestra that really hit the sweet spot.

Prom 70, the last concert for the BBC Symphony Orchestra prior to the Last Night festivities, featured three talented Americans: composer Missy Mazzoli, pianist Jeremy Denk and conductor Karina Canellakis.

Lesser known works by Rachmaninov and Tchaikovsky rubbed shoulders with a real rarity from Taneyev.

The effervescent conductor took six little-known Czech works into another ether: one in which the footprints are invisible.

Is traditional English pub grub popular in Helsinki? Perhaps Sakari Oramo got a taste for it during his Birmingham years for there was something “stout and steaky” about last night’s hearty performance of Elgar’s Third Symphony.

Not a seat to be had for the BBCSO’s thrilling Proms performance of Mahler's Resurrection Symphony. 

As a composer, what do you do when you are commissioned a full-length orchestral work to commemorate the anniversary of a renowned concert hall? Do you try to write something celebratory? Not in Mark-Anthony Turnage's case. 

Semyon Bychkov turned in a magisterial account of Mussorgsky's rugged score, aided and abetted by some strong vocal performances.

The BBC Symphony Orchestra and Chorus conducted by James Gaffigan, with two stellar soprano soloists, deliver a maritime-themed programme of pieces by Korngold, Anders Hillborg and Rimsky-Korsakov.

Sir Andrew Davis led the BBC SO in a recreation of Sir Malcolm Sargent's 500th Prom, a lengthy programme that failed to inspire.

An inspired piece of programming illustrates the continuities in angst-filled works from the Baroque, Romantic and contemporary eras.

Mass hysteria, Schiller’s Ode to Joy and Wild Nights – a heady mix for this year’s opening night of the BBC Proms from Edward Gardner and the BBC Symphony Orchestra.

Sakari Oramo pushes the BBC Symphony Orchestra to breaking point at Symphony Hall

An account of The Beatitudes that will do much to reassess this neglected work was coupled with a polished “Enigma”.

A Total Immersion day exploring the works of Edgar Varèse at the Barbican. 

At the Barbican last night, Gerald Finley, John Adams and the BBC Symphony Orchestra combined to deliver the heaviest operatic punch I’ve been subjected to all year.

The BBC Symphony Orchestra and Chorus grow in stature through an evening which provides a good introduction to the virtues of Dvořák’s seldom-played large scale choral work.

In this concert, conducted by Simone Young, featuring works by Hungarians, Bartók and Eötvös,  the colour and virtuosity of both pieces was presented with an extra tingle factor.

Put Sakari Oramo in front of the BBCSO and invariably something magical happens. This concert included rare repertoire from two of Oramo's favourite Scandinavian composers. 

Lothar Koenigs conducted the BBC Symphony Orchestra in some highly horizontal-oriented Bruckner and the UK première of a genial piano concerto from Wolfgang Rihm with soloist Nicolas Hodges

A dramatic new work from Nicola LeFanu with soprano Rachel Nicholls and the BBC Symphony Orchestra under Ilan Volkov, together with a fine account of Schreker's Nachtstück.

To celebrate Philip Glass’s 80th birthday the BBC honoured him with one their invaluable Total Immersion days, of which this concert with the BBCSO conducted by Marin Alsop was the climax.

Despite the burbling streams with which Smetana's Vltava trickles into life, this was no pastoral stroll on the gentle slopes of Bohemia, Hungary and Poland.

The BBC Symphony Orchestra brought together the music of two very different composers forced into American exile by the Third Reich.

The silence of the Cenotaph was swept away by the greatest howl of anguish in music.

“Beloved Friend” is the term Tchaikovsky used to address Nadezhda in his letters, and it is the title Semyon Bychkov has given to his Tchaikovsky series, of which this concert with the BBCSO closed the Barbican leg.

Semyon Bychkov brought out the best in the BBC Symphony Orchestra in the latest concert of his Tchaikovsky project.

In the glut of Shakespeare400 celebrations, the BBCSO and Sakari Oramo plumped for one of the more obscure works, based on one of the less popular plays.

Oramo and the BBCSO were dynamic in the UK première of Brett Dean's thought-provoking suite and provided a solid account of Richard Strauss' Ein Heldenleben.

The 2016 Proms come to a riotous close at the Royal Albert Hall.

This was one of those concert programmes that you will only find at the Proms – a richly varied group of works by Bayan Northcott, Mozart and Zemlinsky.

An ambitious new Austrian symphony is dwarfed by the proven might of Wagner and Strauss in the BBC Symphony Orchestra's latest Prom.

A belated touch of demonic fire was a welcome ingredient to last night's Prom with a compelling interpretation of Prokofiev's Third Symphony, based on material from his opera The Fiery Angel.

Karita Mattila produces a star turn in the title role, but a pure concert staging does little to bring out the cleverness of the libretto of Janáček’s Makropulos Case.

An enterprising programme featuring a rare Haydn symphony, a new work by Charlotte Bray and Mahler 5, played by the BBC Symphony Orchestra under Sakari Oramo and with Guy Johnston as cello soloist.

The BBC Symphony Orchestra under Sakari Oramo glistened and shimmered in Dutilleux and presented a 'no holds barred' Beethoven's Fifth while Håkan Hardenberger provided zing and reflection in HK Gruber.