This final concert of the BBCSO’s Total Immersion day dedicated to GyörgyLigeti, proved to be something a revelation, both in terms of the variety of the music and the quality of the performances.
Three works written in the turbulent years after the end of World War 2 were featured in this dynamic concert with the BBCSO under the baton of Sakari Oramo.
The ubiquitous cycle of life and death was explored in two contrasting works by Musgrave and Brahms in Richard Farnes’ debut with the BBC Symphony Orchestra and Chorus.
Miloš Karadaglić provides atmosphere and virtuosity in Joby Talbot’s newest work, while Alexander Vedernikov and the BBC Symphony Orchestra give Russian flourishes in Glinka and Tchaikovsky.
A disparate set of pieces are connected to an intriguing theme in mostly successful performances, including Shostakovich from cellist Alisa Weilerstein.
Revelling in the luscious orchestrations and sumptuous melodies, it was a rare treat to bask in such obvious delight from both conductor and orchestra.
Marking the centenary of the end of the First World War, Anna Meredith and 59 Productions' work proves a powerful, often surprisingly upbeat, commission.
Kaufmann’s magnificent instrument was not seen at its best in songs by Strauss, but there was pleasure from his clear artistry and the interesting orchestral pieces played by the BBCSO.
The BBC Symphony Orchestra was on tip-top form, with the buoyant Daniele Rustioni and mandolin virtuoso Avi Avital conjuring up a fresco of genuine Mediterranean delights.
Jake Heggie's spectacular vocal writing combine with Terence McNally's perfectly paced libretto to provide intense music drama which forces you to confront darkness.
Two works of personal victory, written at virtually the same point in history and against a backdrop of suffering, made up this very successful concert conducted by Sir Andrew Davis.
The finale of the BBCSO’s Bernstein celebration features the composer at his most sublime and frivolous, and offers a rare performance of Songfest for six soloists and orchestra.
It's a rare treat to hear Spanish opera in London; Josep Pons and the BBC SO made a worthy case for hearing Falla’s El amor brujo and Granados’ Goyescas more often.
With its vertiginous vocal leaps and broad intervals, Komsi's pure pitch-perfect soprano soared like the eldrich keening of a sea bird. The spareness and incantatory intensity were heightened by the BBCSO and Oramo.
An all-Sibelius programme given by the BBC Symphony Orchestra and Sakari Oramo, featuring a UK première, an instrumental rarity and the First Symphony.
Sakari Oramo led an inspired BBC Symphony Orchestra in cultured performances of Sibelius, while Lisa Batiashvili produced a monumental UK première of Anders Hillborg’s evocative Violin Concerto No.2.
Like Sibelius, Florent Schmitt was another composer of great longevity. This concert saw an opportunity to hear his Symphony No. 2 paired with Sibelius' Symphony No. 3, with two piano pieces by Ravel and Franck in the middle.
A dream programme of works by Strauss, Berg and Sibelius, matched by performances from Sakari Oramo, Alina Pogostkina and the BBC Symphony Orchestra that really hit the sweet spot.
Prom 70, the last concert for the BBC Symphony Orchestra prior to the Last Night festivities, featured three talented Americans: composer Missy Mazzoli, pianist Jeremy Denk and conductor Karina Canellakis.
Is traditional English pub grub popular in Helsinki? Perhaps Sakari Oramo got a taste for it during his Birmingham years for there was something “stout and steaky” about last night’s hearty performance of Elgar’s Third Symphony.
As a composer, what do you do when you are commissioned a full-length orchestral work to commemorate the anniversary of a renowned concert hall? Do you try to write something celebratory? Not in Mark-Anthony Turnage's case.
The BBC Symphony Orchestra and Chorus conducted by James Gaffigan, with two stellar soprano soloists, deliver a maritime-themed programme of pieces by Korngold, Anders Hillborg and Rimsky-Korsakov.
Mass hysteria, Schiller’s Ode to Joy and Wild Nights – a heady mix for this year’s opening night of the BBC Proms from Edward Gardner and the BBC Symphony Orchestra.
At the Barbican last night, Gerald Finley, John Adams and the BBC Symphony Orchestra combined to deliver the heaviest operatic punch I’ve been subjected to all year.
The BBC Symphony Orchestra and Chorus grow in stature through an evening which provides a good introduction to the virtues of Dvořák’s seldom-played large scale choral work.
In this concert, conducted by Simone Young, featuring works by Hungarians, Bartók and Eötvös, the colour and virtuosity of both pieces was presented with an extra tingle factor.
