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Thapelo Masita plays Bach as a prayer and a plea in New York City

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“his playing was assured, his face aspirational, imploring”
Reviewed at The Met Cloisters, New York City on 23 June 2020
arr. Thapelo Masita, There Is a Balm in Gilead
Bach, Cello suite no. 1 in G major, BWV1007 (I. Prelude, II. Allemande)
arr. Thapelo Masita, Ha Le Mpotsa Tshepo Yaka (When Asked Wherein My Hope Lies)
Bach, Cello suite no. 1 in G major, BWV1007 (III. Courante, IV. Sarabande)
arr. Thapelo Masita, Amazing Grace
Bach, Cello suite no. 1 in G major, BWV1007 (V. Minuet, VI. Gigue)
Perkinson, Lamentations (IV. Perpetual Motion)
Thapelo Masita, Cello
Dazzling Prokofiev from Alim Beisembayev and the RLPO
****1
A Evgeny Kissin tour de force in Boston
****1
Patriotic angst with the Royal Northern Sinfonia and Thomas Zehetmair
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Yunchan Lim at Carnegie Hall: unmooring musical time
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Stephen Hough makes a convincing case for Rachmaninov 1 with the RSNO
****1
Turangalîla underwhelms at the Southbank’s Multitudes festival
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