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Nadine Sierra stars as a highly affecting Amina in the tenor-turned-director’s revisionist take on Bellini’s bel canto masterwork. 

The Philharmonic continues its celebration of the composer-conductor’s centennial with pianist Pierre-Laurent Aimard as soloist in an innovative program juxtaposing selections by the modernist maestro with pieces by Debussy.

With a standout cast, fine orchestral playing under Carlo Rizzi, and newly refurbished sets, Zeffirelli’s 1987 staging of Puccini’s epic fairy tale appears as bright as ever.

Joana Carneiro, the Festival Orchestra of Lincoln Center and music by Frank, Shostakovich, Ravel and Prokofiev fused into something that transcended them all.

Aucoin, librettist Jorie Graham and director Peter Sellars make New Bodies more a haunting mood piece than a cautionary tale for the American Modern Opera Company.

The Australian conductor leads a superb performance of Bruckner’s Sixth paired with Steven Isserlis playing Schumann’s Cello Concerto. 

Bartlett Sher’s 2006 production of Rossini’s tuneful masterpiece is showing its age, but a superb cast and conductor keep the comedy moving. 

In a rare visit to New York, the Philharmonic’s incoming Music Director leads the ensemble in an exhilarating program of works by Varèse, Gershwin... and a Ravel world premiere. 

Fifteen years after its Dallas Opera world premiere, Jake Heggie’s grand adaptation of Herman Melville’s sprawling epic arrives in New York in a stunning production with a standout cast.