Venue: Symphony Hall, Boston

Seong-Jin Cho brings refinement and bite to the Paganini Rhapsody, before Andris Nelsons leads a leanly textured Second Symphony

Andrey Boreyko makes an impressive debut with the Boston Symphony, where Evgeny Kissin performs in not one, but two piano concertos. 

Herbert Blomstedt demonstrates the “singability” of Brahms in his latest appearance with the Boston Symphony, concluding with the autumnal glow of the Fourth Symphony.

Benjamin Zander’s meticulous preparation, compelling concept and strong casting make for a shattering experience in the Boston Philharmonic’s performance. 

In celebration of the 125th anniversary of Symphony Hall, Andris Nelsons returns to the work that opened the venue on 15th October 1900.

Andris Nelsons celebrates Symphony Hall’s 125th anniversary with two works contemporaneous to the hall’s first season: Debussy’s Nocturnes and Mahler’s Symphony no. 4 (both premiered in 1901). 

Late-career works by Lyadov, Bartók and Rachmaninov dominated the program, which featured Inon Barnatan as piano soloist.

Herbert Blomstedt returns to Symphony Hall to answer the question Schubert reportedly asked himself in his teens, “Who can do anything after Beethoven?”