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Copland, Stravinsky
John Neumeier; Hamburger Kammerballett; Michal Bialk
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WINNDance: Scirocco – a fitting finale to the Biennale Danza 2026
WINNDance is an exciting and much-needed initiative, with ambitious plans for artistic collaboration and education, and a commitment to creating new possibilities for dancers at different stages of their careers.
Vivaldi’s pasticcio Bajazet given an extravagant staging
Federico Maria Sardelli leads a great cast of specialists in a new production by Fabio Ceresa, perfectly attuned to the Baroque style.
Orlando furioso: Vivaldi returns to Venice in a Baroque feast
Fabio Ceresa's spectacular production to the Teatro Malibran with a strong cast in the hands of Diego Fasolis.
Teshigawara recreates a contemporary Petrushka at the Biennale Danza
A new Petrushka full of contemporary anguish as Japanese artist Saburo Teshigawara presents a world premiere to celebrate his Golden Lion Lifetime Achievement award in Venice.
Vocal performances enliven a sleepy Griselda at the Teatro Malibran
Ann Hallenberg leads a feast of fine singing, but the opera suffers from a somewhat confused, confusing production by Gianluca Falaschi.
Vivaldi's Farnace returns to Venice at the Teatro Malibran
Christophe Gayral gives Vivaldi's Farnace a contemporary update at the Teatro Malibran, but there are musical compensations.
Striking choral juxtapositions in Venice
An afternoon of mostly enjoyable singing and music-making from the chorus and instrumentalists of La Fenice in an empty Teatro Malibran.
Young Mozart returns to Venice: Il sogno di Scipione
Three sopranos and three tenors express a catalogue of "affections" in musical numbers full of coloratura and virtuosic effects that are already 100% Mozart despite the young age of the composer.