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Venue: Théâtre des Champs-Élysées, Paris

Fact file
Address15 avenue Montaigne
75008 Paris
Île-de-France
France
Google maps48° 51' 56.181" N 2° 18' 11.660" E
October 2020
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02030405060708
Evening performance
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ParisOrchestre de chambre de Paris – Antonio Méndez, Thibaut Garcia

Rodrigo, Beethoven
Orchestre de chambre de Paris; Antonio Méndez; Thibaut Garcia

ParisVíkingur Ólafsson

Debussy, Rameau
Víkingur Ólafsson, Piano

ParisBeethoven by Vilde Frang, Lawrence Power & Nicolas Altstaedt

Beethoven
Vilde Frang; Lawrence Power; Nicolas Altstaedt

ParisHandel's OresteConcert performance

Handel: Oreste, HWV A11
Maxim Emelyanychev; Théâtre des Champs-Elysées; Franco Fagioli; Francesca Aspromonte; Julia Lezhneva; Krystian Adam

ParisSalomé

Strauss R.: Salome
Henrik Nánási; Krzysztof Warlikowski; Théâtre des Champs-Elysées; Małgorzata Szczęśniak; Patricia Petibon; Sophie Koch

ParisLeleux, Hornung & Strosser

Bruch, Debussy, Schumann, Beethoven
François Leleux; Maximilian Hornung; Emmanuel Strosser

ParisWillis-Sørensen, Deshayes & Schrott

Mozart, Rossini, Donizetti, Bellini
Orchestre de chambre de Paris; Francesco Ivan Ciampa; Rachel Willis-Sørensen; Karine Deshayes; Erwin Schrott

ParisPhilippe Jaroussky

Chelleri, Bononcini, Scarlatti, Hasse, Caldara, Fago, Vivaldi
Ensemble Artaserse; Philippe Jaroussky
Latest reviewsSee more...

A female voice florilegium: Vivaldi's Juditha triumphans in Paris

Marie-Nicole Lemieux © Geneviève LeSieur

A great performance of Vivaldi's only surviving oratorio, with Marie-Nicole Lemieux as the protagonist, under the baton of Jean-Chirstophe Spinosi.

****1
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Weber's Freischütz minus the magic at the Théâtre des Champs-Élysées

Vladimir Baykov (Kaspar) © Julien Benamou
A disappointing staging of Weber's supernatural opera by Compagnie 14:20 in Paris
**111
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The Carsen effect: brilliant Iphigénie in Paris

Iphigénie en Tauride at the Théâtre des Champs-Élysées © Vincent Pontet
The Canadian director's aesthetic is a perfect fit for Gluck's work. Dazzling performances by Gaëlle Arquez and Stéphane Degout. Great musical direction by Thomas Hengelbrock.
*****
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An Afternoon with Nijinsky

Les Ballets de Monte-Carlo in Verbruggen's Faun © Alice Blangero
As well as keeping the musical, choreographic and theatrical treasures of the Ballets Russes alive, En compagnie de Nijinsky reignites the company’s avant garde-ist vision.
***11
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La Reine de Chypre claims three tenor victims

Hervé Niquet and cast at the TCE © Gaëlle Astier-Perret
Richard Wagner, reviewing La Reine de Chypre for the Dresden Abend-Zeitung, praised Halévy's opera as “decidedly the best that has appeared on the Opéra's boards since Meyerbeer's Les Huguenots”. It's impossible not to agree. 
***11
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Autumnal Strauss, then a mountain trek

Renée Fleming © Andrew Eccles | Decca
Renée Fleming swoons in Strauss' Four Last Songs, while having Christian Thielemann and the Staatskapelle Dresden are our guides in the Alpine Symphony. 
****1
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Robert Wilson's codified universe returns

Johanna Griebel (Polly) and Christopher Nell (Macheath) © Barbara Braun
A revival of Bertolt Brecht and Kurt Weill's Die Dreigroschenoper at the Théâtre des Champs-Élysées is a remainder of director and visual artist Robert Wilson's greatest achievements.
****1
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Purcell and Charpentier double bill in Paris

Christophe Rousset leads Les Talens Lyrique in a double Baroque bill: Charpentier's Acteon and Purcell's Dido and Aeneas.
****1
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