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Venue: Théâtre des Champs-Élysées, Paris

Fact file
Address15 avenue Montaigne
75008 Paris
Google maps48° 51' 56.181" N 2° 18' 11.660" E
January 2020
Evening performance
Matinee performance
Upcoming eventsSee more...

ParisDie Frau ohne Schatten (in concert)

Strauss R.: Die Frau ohne Schatten
Yannick Nézet-Séguin; Lise Lindstrom; Elza van den Heever; Michaela Schuster; Stephen Gould

ParisYannick conducts Mahler 5

Mahler: Symphony no. 5 in C sharp minor
Rotterdam Philharmonic Orchestra; Yannick Nézet-Séguin

ParisPetite Messe solennelle

Rossini: Petite Messe Solennelle
Bart Van Reyn; Hasmik Torosyan; Anthea Pichanick; Cyrille Dubois; Daniele Antonangeli

ParisRequiem / Messe de Clovis

Requiem / Messe de Clovis
Fauré, Gounod
Hervé Niquet; Regula Mühlemann; Jean-Sébastien Bou; Chouchane Siranossian; Chœur et Orchestre du Concert Spirituel


Thomas: Psyché
Pierre Bleuse; Théâtre des Champs-Elysées; Jodie Devos; Karine Deshayes; Tassis Christoyannis; Ludivine Gombert

ParisPhilippe Jaroussky / Jérôme Ducros

Schubert: Lieder: selection
Philippe Jaroussky; Jérôme Ducros

ParisOrchestre Symphonique d’Euskadi

Ravel, Mahler
Orquesta Sinfónica de Euskadi; Robert Trevino; Jennifer Johnston; Corby Welch

ParisNizhny-Novgorod Youth Symphony Orchestra

Haydn, Mozart
Nizhny-Novgorod Youth Symphony Orchestra; Maxim Emelyanychev
Latest reviewsSee more...

Weber's Freischütz minus the magic at the Théâtre des Champs-Élysées

Vladimir Baykov (Kaspar) © Julien Benamou
A disappointing staging of Weber's supernatural opera by Compagnie 14:20 in Paris
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The Carsen effect: brilliant Iphigénie in Paris

Iphigénie en Tauride at the Théâtre des Champs-Élysées © Vincent Pontet
The Canadian director's aesthetic is a perfect fit for Gluck's work. Dazzling performances by Gaëlle Arquez and Stéphane Degout. Great musical direction by Thomas Hengelbrock.
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An Afternoon with Nijinsky

Les Ballets de Monte-Carlo in Verbruggen's Faun © Alice Blangero
As well as keeping the musical, choreographic and theatrical treasures of the Ballets Russes alive, En compagnie de Nijinsky reignites the company’s avant garde-ist vision.
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La Reine de Chypre claims three tenor victims

Hervé Niquet and cast at the TCE © Gaëlle Astier-Perret
Richard Wagner, reviewing La Reine de Chypre for the Dresden Abend-Zeitung, praised Halévy's opera as “decidedly the best that has appeared on the Opéra's boards since Meyerbeer's Les Huguenots”. It's impossible not to agree. 
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Autumnal Strauss, then a mountain trek

Renée Fleming © Andrew Eccles | Decca
Renée Fleming swoons in Strauss' Four Last Songs, while having Christian Thielemann and the Staatskapelle Dresden are our guides in the Alpine Symphony. 
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Robert Wilson's codified universe returns

Johanna Griebel (Polly) and Christopher Nell (Macheath) © Barbara Braun
A revival of Bertolt Brecht and Kurt Weill's Die Dreigroschenoper at the Théâtre des Champs-Élysées is a remainder of director and visual artist Robert Wilson's greatest achievements.
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Purcell and Charpentier double bill in Paris

Les Talens Lyriques and Christophe Rousset © Jacques Verrees
Christophe Rousset leads Les Talens Lyrique in a double Baroque bill: Charpentier's Acteon and Purcell's Dido and Aeneas.
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A rapturous Tristan und Isolde in Paris

Brett Polegato (Kurwenal), Rachel Nicholls (Isolde) and Torsten Kerl (Tristan) © Vincent Pontet
At the basic level Tristan und Isolde is an opera of hormones, not happenings; fathoms deeper it explores human experience at a point where sense is dumb and flesh retires – as close to heaven and hell as it’s possible to go without first having to die.
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