Work: 12 Variations on Ein Mädchen oder Weibchen, Op.66

For whatever reason, performers have always seemed to fear the fourth wall. They are content to let their music speak for itself, and any attempt to address the audience verbally is often considered lowbrow. This makes sense in some regards, as it facilitates the image of performer as master and lends artistic integrity to the music.

Dans le cadre de leur actualité discographique, Jean-Guihen Queyras et Alexander Melnikov donnaient l'intégrale des oeuvres pour violoncelle et piano de Beethoven lors de deux récitals consécutifs à Londres.