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Work: Images, for orchestra: Ibéria

Fact file
ComposerDebussy, Claude (1862-1918)
Period20th century
Year1908
Work typeOrchestral
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MontrealThe Boléro and other Spanish influences

Sánchez-Verdú, Falla, Sor, Debussy, Montsalvatge, Ravel
Orchestre Symphonique de Montréal; Juanjo Mena; Clara Mouriz; Pablo Sáinz Villegas; Javier Perianes

MunichMariss Jansons & Jean-Yves Thibaudet

Debussy, Ravel, Bartók
Bavarian Radio Symphony Orchestra; Mariss Jansons; Jean-Yves Thibaudet

ClevelandRomero plays Rodrigo

Rodrigo, Debussy
The Cleveland Orchestra; Pablo Heras-Casado; Pepe Romero

ParisClaude Debussy – Sergueï Prokofiev

Debussy, Prokofiev
Orchestre de l'Opéra national de Paris; Philippe Jordan

Salt Lake CitySketches of Spain

Norman, Lalo, Aubert, Ravel, Debussy
Utah Symphony Orchestra; Fabien Gabel; Benjamin Beilman
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From the comfort of one's very own chair

Stephen Hough © Jiyang Chen
Tired of looking at the same wallpaper all the time? The London Philharmonic and their conductor Edward Gardner, together with soloist Stephen Hough, offer one way to see (part of) the world.
***11
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Musical painting from Marianne Crebassa and the Philharmonia

Marianne Crebassa © Thomas Bartel
Marianne Crebassa and Esa-Pekka Salonen take the audience on a dazzling musical journey from Rome to Asia.
****1
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¡Viva España! A day trip to Spain for Les Dissonances

David Grimal © Caroline Doutre
How vital is a conductor? At Paris' Salle des concerts – the Philharmonie's second hall – Les Dissonances provided answers. 
***11
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A French feast from Fabien Gabel at Blossom

Fabien Gabel © Gaétan Bernard
Juho Pohjonen tackles the Prokofiev First Piano Concerto with real aplomb, but big thrills also come from a "French trio" of compositions by Debussy, Ravel and Florent Schmitt.
*****
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Mälkki serves a smorgasbord with the Chicago Symphony

Susanna Mälkki © Simon Fowler
A new score by Melinda Wagner, concertante pieces for saxophone and orchestra with Branford Marsalis, and works of Bizet and Debussy comprised Susanna Mälkki’s CSO program, intriguing in its eclecticism.
***11
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