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Work: Morgen Op.27 no.4

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Fact file
ComposerStrauss, Richard (1864-1949)
PeriodRomantic
Work typeVocal
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New York CitySally Matthews & Simon Lepper

Sibelius, Grieg, Strauss R., Wagner
Sally Matthews; Simon Lepper

MunichZürcher Kammerorchester, Daniel Hope

Elgar, Sinding, Massenet, Schoenberg, Strauss R., Chausson
Zurich Chamber Orchestra; Daniel Hope; Simon Crawford-Phillips

HannoverZürcher Kammerorchester, Daniel Hope

Elgar, Sinding, Massenet, Schoenberg, Strauss R., Chausson
Zurich Chamber Orchestra; Daniel Hope; Simon Crawford-Phillips

BerlinZürcher Kammerorchester, Daniel Hope

Elgar, Sinding, Massenet, Schoenberg, Strauss R., Chausson
Zurich Chamber Orchestra; Daniel Hope; Simon Crawford-Phillips

BraunschweigZürcher Kammerorchester, Daniel Hope

Elgar, Sinding, Massenet, Schoenberg, Strauss R., Chausson
Zurich Chamber Orchestra; Daniel Hope; Simon Crawford-Phillips
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A Lisbon line-up of Romantics

Jack Liebeck and Katya Apekisheva © Rita Carmo
Katya Apekisheva and friends made a persuasive case for Hummel's Piano Quintet to be heard as a transitional grand romantic concerto deserving of belonging in such august company.
*****
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A diva debut: Anna Netrebko in recital at Carnegie Hall

Anna Netrebko © Chris Lee
Netrebko put together a potpourri showcasting her immense vocal gifts as well as her versatility.
****1
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Strauss and Schubert songs contrasted with Matthias Goerne

Matthias Goerne, Jaap van Zweden and the New York Philharmonic © Chris Lee
Almost every June from 1989 to 1999, I visited the charming town of Feldkirch, in the Vorarlberg region of Western Austria, for the annual Schubertiade, originally founded in 1976 by the great German baritone Hermann Prey.
*****
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Prom 62: An orchestral kaleidoscope from Petrenko and the RLPO

Miah Persson and the Royal Liverpool Philharmonic Orchestra © BBC | Chris Christodoulou
Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra offer a stunning palette of orchestral colours in Elgar, Bell, Strauss, and Bartók.
*****
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Strauss on screen: the OAE presents Rosenkavalier

Charlotte Beament © Boyd Gilmour
The Orchestra of the Age of Enlightenment resurrected with 1926 silent film of Strauss' Viennese comedy – with the lost ending pieced together – and gave a commendable performance of the reduced score.
***11
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