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Fact file
| Composer | Strauss, Richard (1864-1949) |
| Period | Romantic |
| Work type | Opera / Oratorio |
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LondonSalome
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Strauss R.: Salome
Ben Woodward; Mark Ravenhill; Regents Opera; Guy Murgatroyd; Hannah Schmidt; Azusa Ono
ToulouseSaloméNew production
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Strauss R.: Salome
Frank Beermann; Matthias Goerne; Opéra National du Capitole; Hernan Penuela; Christian Lacroix; Vinicio Cheli; Orchestre National du Capitole de Toulouse
TokyoSalome
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Strauss R.: Salome
Ryusuke Numajiri; August Everding; New National Theatre; Jörg Zimmermann; Tokyo Philharmonic Orchestra; Hedvig Haugerud
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Sir David McVicar’s psychologically driven Salome arrives in Chicago
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Revived at Lyric Opera of Chicago, the notorious opera director’s take stirs sympathy for Salome, but leans on some of his theatrical hobby-horses
Masks and obsessions: Evgeny Titov’s Salome at Komische Oper Berlin
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Salome is faceless and the Dance of the Seven Veils becomes a sardonic commentary on seduction in Komische Oper Berlin's austere new staging.
Decadence and decay: Asmik Grigorian leads a sensational Salome
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Even locked behind a music stand, like a caged panther in a sleek black gown, Grigorian’s Salome bristles with dramatic energy in Barbican concert performance of Strauss’ “scherzo with a fatal conclusion”.
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ParisSalomé
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Strauss R.: Salome
Simone Young; Lydia Steier; Opéra national de Paris; Momme Hinrichs; Andy Besuch; Olaf Freese; Orchestre de l'Opéra national de Paris
Latest articles
Bleeding and dancing: Mark Ravenhill gets his teeth into Salome
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The trailblaizing playwright makes a return to the operatic stage to direct a new production of Strauss’ Salome with Regents Opera – held in an old boxing venue, an apt location given the opera’s bloody subject...
Bachtrack top ten: Richard Strauss
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From the early succès de scandale of Salome to a golden Indian summer, Richard Strauss’ long career spanned eight decades. Enjoy some highlights in our playlist.
Salome: the greatest Strauss tone poem?
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A look at the succès de scandale that was Strauss first operatic hit, Salome, placing it in the context of his early tone poems Don Juan and Death and Transfiguration.
