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Work: St Matthew Passion, BWV244

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Fact file
ComposerBach, Johann Sebastian (1685-1750)
PeriodBaroque
Work typeOpera / Oratorio
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AmsterdamThe Bach Choir & Orchestra of the Netherlands: St Matthew Passion

Het Concertgebouw
Bach: St Matthew Passion, BWV244
Bach Orchestra of the Netherlands; Pieter Jan Leusink; Bach Choir of the Netherlands; Maarten Romkes; Thilo Dahlmann; Olga Zinovieva

ValenciaBach - Pasión según San Mateo

Palau de la Musica (Valencia)
Bach: St Matthew Passion, BWV244
Raphaël Pichon; Julian Prégardien; Stéphane Degout; Julie Roset; Maïlys de Villoutreys

AmsterdamSt Matthew Passion / Easter concert

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Bach: St Matthew Passion, BWV244
Orchestra of the Eighteenth Century; Daniel Reuss; Cappella Amsterdam; Berit Norbakken Solset; Marianne Beate Kielland; Tobias Berndt
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Bach to basics: The AAM performs the St Matthew Passion

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A claim was made not to authenticity, but merely to “a chance to hear the work anew”.
****1
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Immersive Bach: St Matthew Passion at Deutsche Oper Berlin

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Benedikt von Peter's new staging of Bach's St Matthew Passion premieres at the Deutsche Oper Berlin, under Alessandro De Marchi. But despite the good synergy between director and conductor and a first-rate vocal ensemble, the production falls somewhat flat.
***11
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The power of individual voices: Ex Cathedra’s St Matthew Passion

Bradley Smith, as Evangelist, and a fine cast of soloists drove this Good Friday account of Bach’s St Matthew Passion from Ex Cathedra in Birmingham.
****1
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NaardenBach's St Matthew Passion

Listing filler
Bach: St Matthew Passion, BWV244
Jos van Veldhoven; Nederlandse Bachvereniging; Kampen Boys Choir; Benjamin Hulett; Andreas Wolf
Latest articles

Bachtrack top ten: Johann Sebastian Bach

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If Mozart and Beethoven are the Son and the Holy Ghost of classical music’s Holy Trinity, it is surely Johann Sebastian Bach who is the Father. 

Handel or Bach? The great Baroque debate

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Musicologist and passionate Handel advocate Corrina Connor and Margaret Steinitz, Artistic Director of the London Bach Society, debate the relative merits of their preferred Baroque composer.