Find classical music concert, opera, ballet and dance listings
Fact file
| Composer | Bach, Johann Sebastian (1685-1750) |
| Period | Baroque |
| Work type | Opera / Oratorio |
Upcoming eventsSee more...
TokyoBach’s Matthäus-Passion Conducted by Ton Koopman

Bach: St Matthew Passion, BWV244
NHK Symphony Orchestra Tokyo; Ton Koopman; Tilman Lichdi; Maki Mori; Maarten Engeltjes; Klaus Mertens
GatesheadBach’s St Matthew Passion

Bach: St Matthew Passion, BWV244
Royal Northern Sinfonia; Dinis Sousa; Nick Pritchard; Florian Störtz; Hilary Cronin; Jone Martínez
DortmundSir Simon Rattle – Bach Matthäus-Passion

Bach: St Matthew Passion, BWV244
Freiburg Baroque Orchestra; Florian Helgath; Miriam Feuersinger; Magdalena Kožená; Reinoud Van Mechelen; Roderick Williams
Latest reviewsSee more...
Emelyanychev leads the SCO in Bach’s St Matthew Passion

An autumn St Matthew Passion in Edinburgh underplays the drama and wallows in the reverence.
Bach to basics: The AAM performs the St Matthew Passion

A claim was made not to authenticity, but merely to “a chance to hear the work anew”.
Immersive Bach: St Matthew Passion at Deutsche Oper Berlin

Benedikt von Peter's new staging of Bach's St Matthew Passion premieres at the Deutsche Oper Berlin, under Alessandro De Marchi. But despite the good synergy between director and conductor and a first-rate vocal ensemble, the production falls somewhat flat.
Upcoming eventsSee more...
NaardenBach's St Matthew Passion

Bach: St Matthew Passion, BWV244
Jos van Veldhoven; Nederlandse Bachvereniging; Kampen Boys Choir; Benjamin Hulett; Andreas Wolf
NaardenBach’s St Matthew Passion

Bach: St Matthew Passion, BWV244
Masaaki Suzuki; Nicholas Mulroy; Stephan MacLeod; Miku Yasukawa; Alison Lau
Latest articles
Bachtrack top ten: Johann Sebastian Bach

If Mozart and Beethoven are the Son and the Holy Ghost of classical music’s Holy Trinity, it is surely Johann Sebastian Bach who is the Father.
Handel or Bach? The great Baroque debate

Musicologist and passionate Handel advocate Corrina Connor and Margaret Steinitz, Artistic Director of the London Bach Society, debate the relative merits of their preferred Baroque composer.
