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Fact file
| Composer | Rachmaninov, Sergei (1873-1943) |
| Period | Romantic |
| Year | 1912 |
| Work type | Vocal |
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Castelnuovo di FarfaDa due a dodici mani
Saint-Saëns, Beethoven, Say, Azarashvili, Sinding, Khachaturian, Rachmaninov, Stravinsky, Brahms, Wilding
Mark Nixon; Liezl-Marét Jacobs; Pavle Krstić; Tinus Botha
LondonJohannes Moser / Andrei Korobeinikov
Boulanger, Britten, Rachmaninov, Franck
Johannes Moser; Andrei Korobeinikov
AmsterdamBruno de Sá and Pedro Beriso: from Villa-Lobos to Rachmaninoff and Ravel
Villa-Lobos, Rachmaninov, Saint-Saëns, Ravel, Granados, Gershwin
Bruno de Sá; Pedro Beriso
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An azure secret: Yunchan Lim’s star power at Wigmore Hall
The Korean pianist astonishes in Schubert and Scriabin, in a performance sure to be a highlight of Wigmore Hall’s 125th anniversary festivities.
Lost for words: Asmik Grigorian excels at Wigmore Hall
A first half of vocalises gives way to all Strauss after the interval as the Lithuanian superstar soprano helps Wigmore Hall celebrate its 125th anniversary.
Yunchan Lim at Carnegie Hall: unmooring musical time
Schubert and Scriabin are shaped by expansion and suspension in the Korean pianist’s Carnegie Hall recital.
Latest articles
Rachmaninov and the voice
Many of Rachmaninov's works were written for himself to play at the piano, but he was also a considerable composer for the voice, covering everything from intimate songs to operas and liturgical choral music.