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Work: Werther

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Fact file
ComposerMassenet, Jules (1842-1912)
PeriodRomantic
LibrettistÉdouard Blau, Paul Milliet and Georges Hartmann
Year1892
Work typeOpera / Oratorio
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ParisWertherNew production

Opéra national de Paris
Massenet: Werther
Nathalie Stutzmann; Robert Carsen; Opéra national de Paris; Radu Boruzescu; Luis F Carvalho; Peter van Praet; Orchestre de l'Opéra national de Paris

MunichWertherNew production

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Massenet: Werther
Karina Canellakis; Marie-Ève Signeyrole; Bavarian State Opera; Fabien Teigné; Yashi; Sascha Zauner; Bayerisches Staatsorchester

MunichWertherNew production

Listing filler
Massenet: Werther
Karina Canellakis; Marie-Ève Signeyrole; Bavarian State Opera; Fabien Teigné; Yashi; Sascha Zauner; Bayerisches Staatsorchester
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Werther revived at San Carlo: an anatomy of emotional isolation

Caterina Piva (Charlotte) and Francesco Demuro (Werther) © Luciano Romano

Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.

*****
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Werther oozes quiet despair in new Canadian Opera Company staging

Victoria Karkacheva (Charlotte) © Michael Cooper
Excellent performances cannot turn a conventional production of Massenet’s Werther into a dramatic experience for the 21st century. 
***11
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Implacable Werther at Opéra-Comique from Pichon and Huffman

Pene Pati (Werther) and Adèle Charvet (Charlotte) © Jean-Louis Fernandez
Tight orchestral playing, minimalist stage design: the conductor and director are perfectly in tune with each other, transforming Massenet's work into an intimate and timeless drama.
****1
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ParisWertherNew production

© Jean-Louis Fernandez
Massenet: Werther
Raphaël Pichon; Ted Huffman; Opéra-Comique; Astrid Klein; Bertrand Couderc; Pygmalion; Maîtrise Populaire de l'Opéra-Comique
Latest articles

Pure agilità: Aya Wakizono returns to Tokyo

Aya Wakizono © Amati Bacciardi Photographers
The Japanese mezzo soprano is returning to the New National Theatre, Tokyo for her role debut in Massenet’s Werther. We talk about her love for Rossini, and expansions into later Romantic opera.