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Work type: Choral

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BirminghamHaydn's Nelson Mass

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Beethoven, Haydn
City of Birmingham Symphony Orchestra; Omer Meir Wellber; Sir Stephen Hough; Luis Gomes; Stefan Cerny

LisbonTchaikovsky's Violin Concerto

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Tchaikovsky, Rachmaninov
Orquestra Gulbenkian; Hannu Lintu; Coro Gulbenkian; Daniel Lozakovich; Olga Heikkilä; Mihails Čuļpajevs

UnknownThe Swedish Radio Choir meets Martina Batič

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Bach, Sandström, Bingham, Dove
Martina Batič; Swedish Radio Choir

BudapestNorthern Light – Ensemble Correspondances

Wavemaker Hungary - MUPA
Pohle, Peranda, Bach J.C., Albrici, Ritter, Tunder, Knüpfer, Krieger, Fischer
Sébastien Daucé; Lucile Richardot; Ensemble Correspondances

AmsterdamVoci Bianche

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Handel, Porpora, Mozart, Lotti, Broschi, Hasse
PRJCT Amsterdam; Maarten Engeltjes; Valer Sabadus; Unknown

AmsterdamTwo requiems

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Biber
Lionel Meunier; Vox Luminis
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Takács-Nagy’s Schumann trumps Bach at the Singapore Symphony

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Bach concertos on a modern Steinway prove a mixed blessing, but the Singapore Symphony's Schumann impresses under Hungarian conductor Gábor Takács-Nagy. 
****1
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Ed Lyon excels in Monteverdi’s Songs of Love and War

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Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.
*****
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The spirit of music-making: Elgar at The Anvil

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An afternoon that belongs to the exuberant partnership of the Royal Philharmonic Concert Orchestra, the Brighton Festival Chorus and the spirit of music-making everywhere. 
***11
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Brahms unpacked by Hugo Ticciati and O/Modernt

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Soprano Cornelia Beskow and accordionist Leo Florin join O/Modernt for a night of gypsy vim and Viennese swing at Wigmore Hall.
*****
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Thomas Adès and Yuja Wang offer contemporary works at the NY Phil

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Yuja Wang returns to the New York Philharmonic with Rautavaara’s dazzling First Piano Concerto in a probing program curated and conducted by Thomas Adès.
****1
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A study in control and proportion: the Clevelanders’ Verdi Requiem

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Asmik Grigorian leads a strong quartet of soloists and the Cleveland Orchestra Chorus shape the performance at Carnegie Hall. 
****1
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