With significant works by Louise Farrenc, Augusta Holmès and Clémence de Grandval – including two grand operas – Palazzetto Bru Zane is pioneering rediscovery of French music of the 19th century.
From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.
Director Fabrice Murgia talks about Seasons, a new production for La Cité Bleue using music and film, creating portraits of imaginary residents of La Cité universitaire in Geneva.
Pianist and musicologist Samantha Ege talks about her experiences hearing and playing the music of Florence Price – beginning in 2009, when many lost works of hers were rediscovered.
Previewing her commemorative concerts after winning the 2020 Suntory Music Award, Hisako Kawamura talks about performing some rarely heard gems from Rebecca Clarke and Amy Beach.
Formée au Conservatoire de Metz, Clara Leonardi y obtient son DEM de violon et son prix de Perfectionnement de quatuor à cordes. Elle s’implique aujourd’hui dans plusieurs orchestres amateurs parisiens en parallèle de ses études de commerce et fréquente assidûment les grandes salles parisiennes. Passionnée par le répertoire des compositrices, elle est aussi la co-fondatrice de ComposHer, un média en ligne dédié aux femmes dans la musique classique.
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