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StuttgartPlatée
Rameau: Platée
Stefano Montanari; Calixto Bieito; Staatsoper Stuttgart; Susanne Gschwender; Anna Eiermann; Reinhard Traub; Beate Ritter
StuttgartAlcina, HWV 34
Handel: Alcina
Christopher Moulds; Jossi Wieler; Staatsoper Stuttgart; Anna Viebrock; Claudia Muschio; Alexandra Urquiola
StuttgartNorma
Bellini: Norma
Friedrich Haider; Jossi Wieler; Staatsoper Stuttgart; Anna Viebrock; Yolanda Auyanet; Diana Haller
StuttgartIl barbiere di Siviglia
Rossini: Il barbiere di Siviglia
Staatsoper Stuttgart; Diana Haller; Linsey Coppens; Charles Sy; Alberto Robert
StuttgartRusalkaNew production
Dvořák: Rusalka
Oksana Lyniv; Bastian Kraft; Staatsoper Stuttgart; Peter Baur; Jelena Miletić; Reinhard Traub; Esther Dierkes
StuttgartWerther
Massenet: Werther
Marc Piollet; Felix Rothenhäusler; Staatsoper Stuttgart; Katharina Pia Schütz; Elke von Sivers; Reinhard Traub; Aoife Gibney
StuttgartLe nozze di Figaro (The Marriage of Figaro), K492
Mozart: Le nozze di Figaro (The Marriage of Figaro)
Cornelius Meister; Christiane Pohle; Staatsoper Stuttgart; Natascha von Steiger; Sara Kittelmann; Amanda Woodbury; Claudia Muschio
StuttgartSzenen aus Goethes FaustNew production
Schumann: Szenen aus Goethes Faust
André de Ridder; Marco Štorman; Staatsoper Stuttgart; Demian Wohler; Sara Schwartz; Reinhard Traub; Josefin Feiler
Latest reviewsSee more...
Bang to rights: a rare outing for an opera from the former GDR
Die Verurteilung des Lukullus, Paul Dessau and Bertolt Brecht's political satire about a Roman general judged for his deeds after death, has lost none of its relevance in Staatsoper Stuttgart's new production.
In Konwitschny's modern Medea, monsters are made by men
Director Peter Konwitschny's staging of Cherubini's Medea critiques rejection and mistreatment of refugees. A strong new German translation and a talented cast make this a must-see.
Rousseau and a boxing ring: Ariodante in Stuttgart
In Jussi Wieler and Sergio Morabito’s pugilistic production of Ariodante, the singers needed as much physical and gymnastic dexterity as vocal finesse.
Sex and violence in the ghetto: Pique Dame
Oper Stuttgart’s new production of The Queen of Spades (Pique-Dame) pushes a directorial tendency to update opera to a modern setting to an extreme.
Devil in the detail: Gounod's Faust in Stuttgart
A thrilling new staging of Gounod's opera from the team that brought Bayreuth its current Ring, with musical rewards to match.
Modern terror: Salome in Stuttgart
Director Kirill Serebrennikov gives us a frightening new reality of the modern world beset by war and terrorism in his reimagining of Strauss's Salome
Une folle journée: Bieito's Platée
Bieito and Oper Stuttgart's Platée is a true riot, with outstanding vocal performances from Thomas Walker in the cross-dressing title role, and Lenneke Ruiten as a rock star, guitar-toting La Folie.
Stuttgart Ballet's Wayfarers
Stuttgart Ballet performed a triple bill consisting of two innovative world premieres No Men's Land (Edward Clug) and Aftermath (Demis Volpi), with Maurice Bejart's classic Songs of a Wayfarer.