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Venue: Staatsoper Stuttgart

Fact file
AddressUpper Schlossgarten 6
70173 Stuttgart
Google maps48° 46' 49.840" N 9° 11' 9.305" E
October 2020
Evening performance
Matinee performance
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StuttgartDie Zauberflöte

Mozart: Die Zauberflöte (The Magic Flute)
Hossein Pishkar; Barrie Kosky; Oper Stuttgart; Esther Bialas; Mingjie Lei; Josefin Feiler

StuttgartCavalleria rusticana / Luci mie traditriciNew production

Mascagni, Sciarrino
Cornelius Meister; Barbara Frey; Oper Stuttgart; Martin Zehetgruber; Bettina Walter; Eva-Maria Westbroek; Arnold Rutkowski

StuttgartDas Lied von der ErdeNew production

Cornelius Meister; David Hermann; Oper Stuttgart; Jo Schramm; Claudia Irro; Bettina Werner
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In Konwitschny's modern Medea, monsters are made by men

Sebastian Kohlhepp (Jason) and Cornelia Ptassek (Medea) © Thomas Aurin
Director Peter Konwitschny's staging of Cherubini's Medea critiques rejection and mistreatment of refugees. A strong new German translation and a talented cast make this a must-see.
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Rousseau and a boxing ring: Ariodante in Stuttgart

Ariodante in Stuttgart © Christoph Kalscheuer
In Jussi Wieler and Sergio Morabito’s pugilistic production of Ariodante, the singers needed as much physical and gymnastic dexterity as vocal finesse.
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Sex and violence in the ghetto: Pique Dame

Shigeo Ishino (Yeletsky), Erin Caves (Herman) and Helene Schneiderman © A.T. Schaefer
Oper Stuttgart’s new production of The Queen of Spades (Pique-Dame) pushes a directorial tendency to update opera to a modern setting to an extreme.
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Devil in the detail: Gounod's Faust in Stuttgart

Atalla Ayan (Faust) and Adam Palka (Méphistophélès) © Thomas Aurin
A thrilling new staging of Gounod's opera from the team that brought Bayreuth its current Ring, with musical rewards to match.
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Modern terror: Salome in Stuttgart

Director Kirill Serebrennikov gives us a frightening new reality of the modern world beset by war and terrorism in his reimagining of Strauss's Salome
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Une folle journée: Bieito's Platée

Bieito and Oper Stuttgart's Platée is a true riot, with outstanding vocal performances from Thomas Walker in the cross-dressing title role, and Lenneke Ruiten as a rock star, guitar-toting La Folie.
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Stuttgart Ballet's Wayfarers

Stuttgart Ballet performed a triple bill consisting of two innovative world premieres No Men's Land (Edward Clug) and Aftermath (Demis Volpi), with Maurice Bejart's classic Songs of a Wayfarer
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Response I: Stuttgarter Ballett trotzt Corona

Boléro © Stuttgarter Ballett
Mit drei Uraufführungen zeigt dieser Abend, dass die Herausforderung zu Reaktionen zwingt und Neues hervorbringen kann.
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