Over a century after its premiere, Stravinsky's The Rite of Spring still has the power to shock. Vasily Petrenko offers insights, while Tamara Rojo reflects on one of the most powerful choreographies, the version by Pina Bausch.
In a neat piece of programming, Monday’s Wigmore Hall lunchtime concert brought together two French master-pianists to play two French masterpieces for the ballet, Debussy’s Jeux and Stravinsky’s Rite of Spring, both transcribed for two pianos.The works are, in fact, old friends, and were both introduced to the world by the Ballets Russes, in 1913.
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