It was described as “the first nihilist work in the history of music” by the conductor Wilhelm Furtwängler. We look at the story behind Mahler’s Sixth Symphony.
Ces dernières années, on a surtout entendu Mahler sculpté par des baguettes démiurges : celles de Rattle, de Nézet-Séguin ou de Harding. Toutes ces lectures paraîtraient outrancières face à celle que proposait Franz Welser-Möst et l'Orchestre de Cleveland à la Philharmonie.
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