If it wasn't for Anton Stadler, would Mozart have been inspired to write such great works for the clarinet, giving the instrument a new place in the spotlight?
It was described as “the first nihilist work in the history of music” by the conductor Wilhelm Furtwängler. We look at the story behind Mahler’s Sixth Symphony.
Après un Concerto pour clarinette de Mozart rendu hyper expressif par le jeu de Martin Fröst, l'Orchestre de Paris et Lahav Shani ont livré une Sixième de Mahler nuancée mais quelque peu ennuyeuse.
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