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ParisOrchestre de Paris / Elim Chan
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Copland, Gershwin, Tower, Rachmaninov
Orchestre de Paris; Elim Chan; Lucas Debargue
ParisOrchestre de Paris / Daniel Harding
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Mussorgsky, Sibelius, Wagner
Orchestre de Paris; Daniel Harding; Miina-Liisa Värelä; Jamez McCorkle; Stephen Milling
ParisPascal Dusapin - Antigone
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Dusapin: Antigone
Klaus Mäkelä; Netia Jones; Éric Soyer; Orchestre de Paris; Christel Loetzsch
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New season, new horizons: Salonen opens the Elbphilharmonie
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Salonen and the Orchestre de Paris opened the Elbphilharmonie season with a vivid journey from Strauss’s dramatic energy, through a reflective new Horn Concerto, to Sibelius’s luminous, precise grandeur.
Rach 4 redefined: Mäkelä and Yunchan Lim set a new benchmark in Seoul
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In Yunchan Lim’s hands the score to Rachmaninov's Fourth Piano Concerto emerges as a small revelation, conspicuously succeeding where so many others have floundered.
Klaus Mäkelä and the Orchestre de Paris paint vivid pictures in Vienna
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Maurice Ravel the orchestrator takes centre stage at the Musikverein in an evening of descriptive aural painting.
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ParisHaydn, Ligeti

Haydn, Ligeti
Orchestre de Paris; Christoph von Dohnányi; Vicens Prats; Alexandre Gattet
UnknownRavel en mille éclats

Ravel
Orchestre de Paris; Klaus Mäkelä; Bertrand Chamayou; Sabine Devieilhe; Modigliani Quartet; Amaury Coeytaux
ParisKlaus Mäkelä and Gustavo Dudamel conduct Boulez, Beethoven and Poulenc

Boulez, Beethoven, Poulenc, Mussorgsky
Orchestre de Paris; Klaus Mäkelä; Elsa Benoit; Chœur de l'Orchestre de Paris; Gustavo Dudamel
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Maximum drama: BBC Proms 2024
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The second half of this year’s Proms season heats up with visits from the Czech Philharmonic, Berlin Philharmonic, Orchestre de Paris and Bavarian Radio Symphony Orchestra – along with operas by Bizet and Britten.
The natural: Klaus Mäkelä
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Wunderkind conductor Klaus Mäkelä explains his love for the Orchestre de Paris, for Rachmaninov, and how not to get emotionally drained conducting Shostakovich.
Oiling the machine: Klaus Mäkelä on taking up posts in Oslo and Paris
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The new Chief Conductor of the Oslo Philharmonic reflects on the conductor’s toolbox, programme building and his first season in Oslo.