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Performer: Orchestre de Paris

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ParisOrchestre de Paris / Klaus Mäkelä

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Grieg, Mahler
Orchestre de Paris; Klaus Mäkelä; Nobuyuki Tsujii

ParisOrchestre de Paris / Bar Avni

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Tower, Shchedrin, Chausson, Ravel, Milhaud
Orchestre de Paris; Bar Avni; Ava Bahari

ParisOrchestre de Paris / Daniel Harding

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Prokofiev, Berlioz
Orchestre de Paris; Daniel Harding
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Orchestre de Paris and Mäkelä wow Amsterdam’s Concertgebouw

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Under its Music Director Klaus Mäkelä, the French orchestra returns to the Concertgebouw for an exhilarating concert with pianist Anna Vinnitskaya.
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New season, new horizons: Salonen opens the Elbphilharmonie

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Salonen and the Orchestre de Paris opened the Elbphilharmonie season with a vivid journey from Strauss’s dramatic energy, through a reflective new Horn Concerto, to Sibelius’s luminous, precise grandeur.
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Rach 4 redefined: Mäkelä and Yunchan Lim set a new benchmark in Seoul

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In Yunchan Lim’s hands the score to Rachmaninov's Fourth Piano Concerto emerges as a small revelation, conspicuously succeeding where so many others have floundered. 
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ParisHaydn, Ligeti

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Haydn, Ligeti
Orchestre de Paris; Christoph von Dohnányi; Vicens Prats; Alexandre Gattet

ParisOrchestre de Paris / Klaus Mäkelä

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Copland, Connesson, Gershwin, Tower, Varèse
Orchestre de Paris; Klaus Mäkelä; Vincent Lucas

ParisOrchestre de Paris / Esa-Pekka Salonen

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Ligeti, Bruckner
Orchestre de Paris; Richard Wilberforce; Jennifer France; Virpi Räisänen; Chœur de l'Orchestre de Paris; New London Chamber Choir
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Maximum drama: BBC Proms 2024

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The second half of this year’s Proms season heats up with visits from the Czech Philharmonic, Berlin Philharmonic, Orchestre de Paris and Bavarian Radio Symphony Orchestra – along with operas by Bizet and Britten.

The natural: Klaus Mäkelä

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Wunderkind conductor Klaus Mäkelä explains his love for the Orchestre de Paris, for Rachmaninov, and how not to get emotionally drained conducting Shostakovich.

Oiling the machine: Klaus Mäkelä on taking up posts in Oslo and Paris

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The new Chief Conductor of the Oslo Philharmonic reflects on the conductor’s toolbox, programme building and his first season in Oslo.