Resonancias entre tiempos: viaje ulterior con Nicolas Altstaedt

By Maria Sánchez, 20 April 2026

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Reviewed at Monasterio de Sant Pau del Camp, Barcelona on 19 April 2026

Gabrielli, Ricercar no. 2

Bach, Cello suite no. 2 in D minor, BWV1008

Coult, Craftsmen and Clowns

Anonymous, For the back of the bow

Hume, Tickle me quickly

Turnage, Milo

Kurtág, Népdalféle

Kurtág, Árnyak (Shadows)

Britten, Cello Suite no. 3, Op.87

Nicolas Altstaedt, Cello

Gemma New the LPO: a blockbuster night on the Southbank

Susannah Moody, 12th November

The LPO tackled California wildfires and star-crossed lovers in a theatrical evening at the Royal Festival Hall.

*****

Revelatory Philharmonia debut from Tabita Berglund at the Anvil

David Truslove, 28th May

Superbly responsive performances of standard repertoire given a new lease of life by a young Norwegian conductor in Basingstoke.

*****

German efficiency, Hungarian goulash, Turkish delight

Peter Quantrill, 2nd June

A cello concerto by CPE Bach headlines Nicolas Altstaedt's appearance at the Istanbul Music Festival with the Munich Chamber Orchestra.

****1

Guggeis brings sensitivity to Strauss at the Staatsoper Berlin

Edward Sava-Segal, 6th May

A young conductor and a venerable orchestra unite in Berlin for three 20th-century works, covering vastly different soundscapes.

****1

A triple serving of Salome from Fabien Gabel in Detroit

Phillip Nones, 22nd April

The French conductor leads a “Salome-centric” concert high on drama and color, joined by Nicolas Altstaedt in presenting a cello concerto new to American audiences.

****1

A splendid night of 20th-century cello music with Nicolas Altstaedt and Aleksandar Madžar

Zoltán Szabó, 11th September

The first programme of Nicolas Altstaedt and Aleksandar Madžar for their tour around Australia offered an insightful selection of 20th-century chamber music masterpieces.

****1

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Maria Sánchez

Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.

Resonancias entre tiempos: viaje ulterior con Nicolas Altstaedt en el Monasterio de Sant Pau del Camp