Un Schumann antológico con la Staatskapelle Dresden y Daniele Gatti

By Leonardo Mattana Ereño, 22 April 2025

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“La impresión … es la de una sonoridad caudalosa pero no pesada, la de una solidez inquebrantable”

Reviewed at Auditorio Nacional de Música, Madrid on 21 April 2025

Schumann, Symphony no. 1 in B flat major “Spring”, Op.38

Schumann, Symphony no. 3 in E flat major "Rhenish", Op.97

Staatskapelle Dresden

Daniele Gatti, Conductor

Schumann from the inside out: Yunchan Lim and Staatskapelle Dresden

SangKwon Lee, 1st February

Yunchan Lim seldom seeks the spotlight in a reflective, conversational account of Schumann's Piano Concerto, conducted by Myung-whun Chung.

*****

High-caliber Schumann and Mahler at Dvořák’s Prague

Frank Kuznik, 14th September

Daniele Gatti and Kirill Gerstein offer fresh, invigorating takes on two warhorses with the Staatskapelle Dresden.

*****

Thielemann bids farewell to Dresden with an excellent new FroSch

Ako Imamura, 27th March

David Bösch directs a creative and thoughtful new production of Die Frau ohne Schatten at the Semperoper in Christian Thielemann's final opera as Principal Conductor.

*****

Detlev Glanert's Die Jüdin von Toledo premieres at the Semperoper

Zenaida des Aubris, 10th February

Robert Carsen stages the world premiere production of Glanert's opera, based Franz Grillparzer's 1851 play, in stringent, minimalist style.

*****

Moving singing, but missed opportunities in Dresden’s new Aida

Zoltán Szabó, 17th March

Katharina Thalbach offers a traditional staging at the Semperoper, with fine vocal performances led by Krassimira Stoyanova, Francesco Meli and Oksana Volkova.

***11

Prom 63: Explosive Rachmaninov from Yuja Wang

Stephen Pritchard, 5th September

Outstanding playing from soloist and Staatskapelle Dresden makes this a Prom to remember.

*****

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Leonardo Mattana Ereño

Leonardo Mattana (1988) es Doctor en filosofía por la Universidad Autónoma de Madrid. También ha cursado estudios de piano, composición, teoría musical e historia de la música en el conservatorio de Sassari (Italia). Sus pasiones musicales son trasversales, privilegiando la música sinfónica y de cámara, pero sobre todo, buscando siempre en la experiencia estética de la música elementos de reflexión.