Excelente Bach: Isabelle Faust y Kristian Bezuidenhout en el CBA

By Jorge Baeza Stanicic, 17 June 2026

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“en cuyas elaboraciones imitativas y fugadas percibimos su indiscutible maestría”

Reviewed at Círculo de Bellas Artes: Teatro Fernando de Rojas, Madrid on 14 June 2026

Bach, Seis sonatas para clave obligado y violín, BWV 1014 – 1019

Isabelle Faust, Violin

Kristian Bezuidenhout, Harpsichord

Highly polished Mozart from Freiburg Baroque in Melbourne

Sandra Bowdler, 26th March

Melbourne-born soprano Sioghan Stagg returns for a one night stand with Kristian Bezuidenhout and the Freiburg Baroque Orchestra as part of their Australian tour.

****1

A walk to Beethoven: Bezuidenhout and the Australian Chamber Orchestra

Zoltán Szabó, 23rd March

Kristian Bezuidenhout joins the ACO for a piecemeal programme leading to a complete performance of Beethoven's Emperor Concerto.

***11

Heavenly Bach from Iestyn Davies at the BBC Proms

Leighton Jones, 25th August

With two cantatas for solo alto bookending the Third Brandenburg Concerto, The English Concert bewitches in this late-night all Bach programme.

****1

Top Mozart from Kristian Bezuidenhout and The English Concert

Mark Thomas, 7th June

A scintillating account of an all-Mozart programme at St Martin-in-the-Fields with a mighty concerto, a mightier symphony and one of his more unusual overtures.

*****

Bezuidenhout and the OAE on winning form at the Anvil, Basingstoke

David Truslove, 13th April

Mozart and 1784 is the basis for this latest OAE venture, an engaging programme that highlights the flawless technique of 18th-century keyboard specialist Kristian Bezuidenhout.

****1

Valentine for the birthday boy from Bezuidenhout and the H&H

Kevin Wells, 14th February

Bezuidenhout and the Handel and Haydn Society offer the Boston audience an entirely different sound world where the music sings in a new voice.

*****

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Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.

Arquitectura del contrapunto: Isabelle Faust y Kristian Bezuidenhout en el Círculo de Bellas Artes