Magnífico recital de Yulianna Avdeeva en el Círculo de Bellas Artes

By Jorge Baeza Stanicic, 23 November 2022

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Reviewed at Círculo de Bellas Artes: Teatro Fernando de Rojas, Madrid on 20 November 2022

Chopin, 4 Mazurkas, Op.41

Chopin, Scherzo no. 3 in C sharp minor, Op.39

Chopin, Barcarolle in F sharp major, Op.60

Chopin, Polonaise no. 7 in A flat major "Polonaise-fantaisie", Op.61

Bach, Partita no. 2 in C minor, BWV826

Rachmaninov, Piano Sonata no. 2 in B flat minor, Op.36

Yulianna Avdeeva, Piano

Artistry at full throttle: Rafael Payare and the Pittsburgh Symphony

Sam Jacobson, 10th April

Can one be artful and musical while playing at maximum volume? In a program of López, Prokofiev and Stravinsky, Rafael Payare and the Pittsburgh Symphony answer a resounding yes.

*****

A spectacular swansong for the Rosendal Chamber Music Festival

Nick Boston, 10th August

A fitting farewell for Leif Ove Andsnes' Rosendal Chamber Music Festival: imaginative programming and excellent performances in an inspiring setting.

*****

Rousing virtuosity from Fischer and Avdeeva at the Tonhalle

Sarah Batschelet, 14th November

Two superbly accomplished musicians light up the stage in Zurich with repertoire that spans the centuries.

****1

A kaleidoscope of kinetic colour from Currentzis, Avdeeva and the SWR

Alexander Hall, 15th September

Teodor Currentzis, conducting the SWR Symphony Orchestra, and Yulianna Avdeeva do Prokofiev proud in his Third Piano Concerto and Fifth Symphony: all the colours of the rainbow delivered with sophistication, élan and boundless effervescence.

*****

Perianes, Avdeeva, Dudamel triumph in Beethoven

Néstor Castiglione, 24th May

Javier Perianes beguiles and Yulianna Avdeeva surprises in Beethoven’s last two piano concertos.

*****

Shining première

Stefan Pillhofer, 3rd February

A shining cast and the première of a new violin concerto offered two highlights on this evening.

****1

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Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.