El proyecto Beethoven de Perianes y Mena recala en el FIS

By Pablo Sánchez Quinteiro, 01 September 2019

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“la LPO y Mena dieron vida a un torrente de texturas sonoras auténticamente sublimes”

Reviewed at Palacio de Festivales de Cantabria: Sala Argenta, Santander on 28 August 2019

Beethoven, Piano Concerto no. 2 in B flat major, Op.19

Beethoven, Piano Concerto no. 3 in C minor, Op.37

Beethoven, Piano Concerto no. 4 in G major, Op.58: Andante

Javier Perianes, Piano

London Philharmonic Orchestra

Juanjo Mena, Conductor

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

Karabits and Szeps-Znaider carouse with the LPO

Christopher Woodley, 8th April

The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.

****1

Portraits and pictures from Ibragimova, Gardner and the LPO

Roy Westbrook, 1st April

From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.

****1

Ticciati and the LPO deliver epic Sibelius plus lively Wennäkoski

Nick Boston, 25th March

Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.

****1

Paavo Järvi marks his new LPO appointment in Tchaikovsky and Sibelius

Mark Valencia, 4th March

Paavo Järvi demonstrates just why the London Philharmonic Orchestra has chosen him as its next Chief Conductor and Artistic Advisor.

*****

Canellakis, Mutter and the LPO at the Elbphilharmonie

Mengguang Huang, 24th February

Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.

****1

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Pablo Sánchez Quinteiro

Pablo Sánchez Quinteiro es un apasionado de toda la música clásica, pero muy especialmente de la obra y de la personalidad de Gustav Mahler. Su estudio y su disfrute han llenado y llenan su vida, hasta el punto de que una autoridad como José Luis Pérez de Arteaga lo ha calificado como "fabuloso estudioso mahleriano". Actualmente es coeditor de la principal web en castellano dedicada a dicho compositor (gustav-mahler.es). Profesionalmente, enseña e investiga neuroanatomía animal en la Universidad de Santiago de Compostela.

Éxito abrumador del proyecto Beethoven de Perianes y Mena en Santander