Nueva y romántica Cenicienta en el Municipal de Santiago

By Pedro Carcey, 31 May 2026

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Reviewed at Municipal de Santiago, Santiago on 29 May 2026

Cinderella (Lachlan Monaghan)

Ballet de Santiago

Pedro-Pablo Prudencio, Conductor, Director

Christopher Ash, Set Designer

Loreto Monsalve, Costume Designer

Ricardo Castro, Lighting Designer

Orquesta Filarmónica de Santiago

Black Sabbath – The Ballet: right balance between ballet and rock

Graham Watts, 22nd October

The choreography, music and performance made this an impressive event, but Iommi’s cameo was an emphatic cherry on the top that sent the crowd home with an enthusiastic spring in their step.

****1

Birmingham Royal Ballet’s Luna: uneven, but with high points

Deborah Weiss, 23rd October

Visually pleasing, superbly danced and musically rousing, yet Luna doesn’t quite reach the pinnacle.

***11

International Draft Works showcases new choreography with aplomb

Amanda Jennings, 10th April

International Draft Works gives opportunities for Londoners to see companies and choreographers that they might otherwise not see in the UK.

***11

BRB's The Sleeping Beauty: celebrating 40 years of magic

Graham Watts, 21st February

Sir Peter Wright's The Sleeping Beauty exudes that magical, ageless feeling, here brought to life by a new and enchanting performance of the title role.

****1

Plenty of life in Bintley's Penguin Café

Mark Pullinger, 3rd November

It starts like a scene from Mary Poppins, with penguin waiters nimbly weaving between waltzing couples, but ends with a deft blow to the stomach to deliver its environmental message.

****1

BRB: Aladdin

Graham Watts, 31st October

All the creative contributions of direction, choeography, designs and music come together to achieve a stirring ballet that tells a familar story with great clarity

****1

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Pedro Carcey

Chileno y amante de la ópera, Pedro estudió violín durante seis años. Su gusto por la música clásica se suma al interés por las distintas producciones y propuestas realizadas en Chile. Promueve siempre el respeto a las instituciones que han desarrollado la música docta en el país, combinando tradición y vanguardia.