Nevermind y su singular visión del barroco francés en el CNDM

By Jorge Baeza Stanicic, 04 May 2025

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“una hábil combinación entre la elegancia francesa y la expresividad”

Reviewed at Auditorio Nacional de Música, Madrid on 29 April 2025

Jacquet de la Guerre, Trio Sonata in D major

Hotteterre, L'Art de préluder: Prélude en sol mineur

Jacquet de la Guerre, Trio Sonata in G minor

Pignolet de Montéclair, Concert no. 1 pour la flûte traversière avec la basse chiffrée

Jacquet de la Guerre, Pieces de Clavecin: Harpsichord Suite no. 1 in D minor: Prelude

Couperin, Pièces de basse de viole avec la basse continue: Prélude en mi mineur

Jacquet de la Guerre, Violin Sonata in D minor

Jacquet de la Guerre, Trio Sonata in B major

Nevermind

Baroque’n’roll: Sunday morning with Jean Rondeau

Leopold Tobisch, 1st February

Jean Rondeau is now taking the French radio and concert halls by storm, quickly making a name for himself and his mastery of the harpsichord.

****1

Turangalîla underwhelms at the Southbank’s Multitudes festival

Roy Westbrook, 23rd April

Serious music ill-matched by filmic limitations as the Royal Philharmonic Orchestra tackles Messiaen’s epic “symphony” as part of the Southbank’s cross-genre festival.

**111

Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

**111

A dream of a Gerontius from Pappano, the LSO and Chorus

Roy Westbrook, 21st April

Giving their 27th performance of the oratorio, the London Symphony Chorus excel as angelic angels and demonic demons.

****1

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

Nicholas McGegan brings delicacy and elegance to Mendelssohn

Erica Miner, 18th April

The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.

****1

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Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.

El singular barroco francés de Nevermind en el Auditorio Nacional de Madrid