Xelo Giner y sus avatares impactan en Ensems

By Daniel Martínez Babiloni, 26 September 2024

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“una propuesta sonora con base científica y tecnológica, que no por ello olvida lo humano”

Reviewed at Palau de les Arts Reina Sofia: Teatre Martín i Soler, Valencia on 23 September 2024

Latorre, Saint Witch

Perales, Loving with Robots

Gómez Alemany, GlitXiner

Caselles Mulet, Xeliner

Edler-Copes, (Sooooommmmm)

Berbis, X-elo

Xelo Giner, Saxophone

Energetic Currentzis and Utopia at the Elbphilharmonie

Mengguang Huang, 12th May

From Berg’s crystalline intimacy to Dionysian Mahler, Teodor Currentzis and Utopia defy orchestral tradition with standing musicians, spatial acoustics and an emotional intensity that breathes new life into the concert life.

****1

Petr Popelka delivers a thrilling opening for Prague Spring

Frank Kuznik, 12th May

With Petr Popelka on the podium, the Prague Radio Symphony Orchestra brings a native feel and colorful exuberance to a cultural icon.

****1

Korngold and Mahler from Ray Chen, Vasily Petrenko and the RPO

Roy Westbrook, 12th May

Few violin concertos soar from the first bar as Erich Korngold’s does, especially as in Ray Chen's high-wire account at the Royal Albert Hall.

****1

Redemption and musical caffeine: Nelsons conducts Mahler 8 in Vienna

Mark Pullinger, 10th May

Sunday morning Mahler at the Wiener Konzerthaus sees Andris Nelsons concluding his symphony cycle with the Vienna Philharmonic in shattering fashion.

****1

Alexander Malofeev conjures sophistication at the Concertgebouw

Clare Varney, 10th May

Sitting low on the piano stool and with his head gently bobbing from side to side, this is music to listen to on repeat.

****1

Era-defining string sound in the Liverpool Phil’s Mahler 9

Rohan Shotton, 10th May

Domingo Hindoyan nears his five-year anniversary at the RLPO with Mahler's Ninth Symphony.

****1

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Daniel Martínez Babiloni

Daniel Martínez Babiloni cursa estudios de Máster de Musicología Aplicada en la Universidad de La Rioja, donde se licenció en Historia y Ciencias de la Música. Sus preferencias de estudio se centran en el clarinete, la música actual, la música popular urbana y las bandas de música. Sus artículos han sido publicados por la Universitat de València, Universitat Politècnica de València y la Sociedad Española de Musicología. Colabora con instituciones como el Institut Valencià de Cultura, Palau de la Música de València, Festival Internacional de Santander, así como con diferentes revistas y diarios. Es Profesor Superior de Clarinete y Maestro de Educación Musical.