Daniele Gatti et les héros de l’Opéra de Paris à Aix-en-Provence

Daniele Gatti dirige l'Orchestre de l'Opéra national de Paris au Festival de Pâques

By Pierre Michel, 06 April 2024

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“l’orchestre entier sonne comme un seul instrument aux mille couleurs”

Reviewed at Grand Théâtre de Provence, Aix-en-Provence on 5 April 2024

Wagner, Götterdämmerung: excerpts

Strauss R., Ein Heldenleben (A Hero's Life), Op.40

Orchestre de l'Opéra national de Paris

Daniele Gatti, Conductor

Pomp meets ping-pong: Nixon in China lands again in Paris

David Karlin, 14th March

Excellent vocal acting from Thomas Hampson, Renée Fleming, Xiaomeng Zhang and a magnificent orchestral performance conducted by Kent Nagano can't make Valentina Carrasco's production fully grip.

***11

Paris Opera Ballet: a superlative Mayerling

Naomi Mori, 6th November

Paris Opera Ballet has triumphantly revived Kenneth MacMillan’s Mayerling, two years after its company premiere in 2022.

****1

La Fille mal gardée in Paris could offer more spark and animation

Jonathan Gray, 15th March

Paris Opera Ballet tackles a British classic with aplomb but needs to delve deeper into the quintessentially British humour and charm.

****1

Thomas Adès’ high-flying Exterminating Angel in Paris

Erwan Gentric, 29th February

The French premiere of the British composer's opera will be the undisputed high point of the Grande Boutique's season: a perfect confluence of music, staging and cast.

*****

Lurching gear changes mar Bychkov's Dvořák at the Festival Ravel

Mark Valencia, 31st August

An all-Dvořák programme given by the Paris Opera Orchestra fails to full satisfy, despite a couple of exciting concert openers.

***11

Opéra de Paris pays vibrant tribute to Patrick Dupond

Laurine Mortha, 23rd February

Two years after the death of Patrick Dupond, the Paris Opera Ballet paid tribute to him in a sumptuous gala evening, with the procession of the Ballet’s stars and the the performance of three of Dupond’s most emblematic works.

*****

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Pierre Michel

Né dans une famille de musiciens, Pierre suit un cursus varié au sein du Conservatoire de Meudon, entre piano (DEM) et contrebasse, récital et orchestre, classique et jazz. Aujourd'hui ingénieur dans la gestion et l'analyse de données, il fréquente très assidûment les salles de concert de la région parisienne pour consolider et approfondir sa passion pour la musique classique. Pour ne pas manquer ses prochains articles, rendez-vous sur son compte Instagram ricerc_art.

Daniele Gatti et les héros de l’Orchestre de l’Opéra de Paris au Festival de Pâques d'Aix