Une mise en scène pas très catholique pour Les Huguenots genevois

By Stéphane Lelièvre, 01 March 2020

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“On cherche désespérément une logique dans cet étrange bric-à-brac”

Reviewed at Grand Théâtre de Genève, Geneva on 26 February 2020

Meyerbeer, Les Huguenots

Grand Théâtre de Genève

Marc Minkowski, Conductor

Jossi Wieler, Director

Anna Viebrock, Set Designer, Costume Designer

Ana Durlovski, Marguerite de Valois

Lea Desandre, Urbain

John Osborn, Raoul de Nangis

Rachel Willis-Sørensen, Valentine

Michele Pertusi, Marcel

Alexandre Duhamel, Le Comte de Nevers

Laurent Alvaro, Le Comte de Saint-Bris

Donald Thomson, Maurevert, Thoré

Manuel Nuñez Camelino, Tavannes

Florian Cafiero, Cossé

Tomislav Lavoie, De Retz

Vincenzo Neri, Méru

Sergio Morabito, Director

Orchestre de la Suisse Romande

Chorus of the Grand Théâtre de Genève

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Rameau’s Castor et Pollux returns to the stage in a new production that brings together Baroque repertoire and contemporary theatrical aesthetics, conducted by Leonardo García Alarcón and performed by Cappella Mediterranea with an international cast.

***11

Bal Impérial & Boléro: multi-layered work challenges in Geneva

Daniel Pratt, 19th November

The premiere of Bal Impérial by Sidi Larbi Cherkaoui challenges and interrogates to great effect in Geneva.

****1

Pelléas et Mélisande as a dark, shining fairy tale in Geneva

Elodie Olson-Coons, 26th October

A maximalist production of Pelléas et Mélisande at Geneva's Grand Théâtre shines, but tries a little too hard.

****1

Penthouse decadence for a shattering new Salome in Geneva

Mark Pullinger, 22nd January

The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.

*****

An arthouse staging for Messiaen's testament of beauty in Geneva

Peter Quantrill, 11th April

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****1

Sidi Larbi Cherkaoui presents Idomeneo as a confused ballet in Geneva

Laura Servidei, 2nd March

The Grand Théâtre de Genève presents a new production of Mozart’s opera seria where the focus is all on dancing and rope twirling. Nevertheless, a good cast, led by Federica Lombardi as Elettra, manages to shine through.

**111

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Stéphane Lelièvre

Stéphane Lelièvre est maître de conférences en littérature comparée. Il est responsable de l’équipe « Littérature et musique » du Centre de Recherche en Littérature Comparée à la Faculté des Lettres de Sorbonne Universités. Spécialiste des romantismes allemand et français, il s’intéresse d’une manière générale aux liens entre les lettres et la musique, et donc particulièrement à l’opéra.