Tenebrae trace son chemin des miracles au Mont-Saint-Michel

By Tristan Labouret, 19 October 2022

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“une unité de corps qui donne l’impression de partager un culte extraordinaire”

Reviewed at Église Abbatiale, Le Mont-Saint-Michel on 16 October 2022

Talbot, Path of Miracles

Tenebrae

Nigel Short, Conductor

Tenebrae sing Pärt, Tallis and Tavener at the Elbphilharmonie

Mengguang Huang, 23rd October

Tenebrae transforms the Elbphilharmonie into a living instrument, exploring centuries of choral music through spatialised sound, Pärt’s tintinnabuli, Renaissance masterpieces and contemporary innovations in a vivid acoustic experiment.

****1

Time stands still in Vilde Frang’s Elgar

Mark Pullinger, 12th September

In an evening pairing two English classics, Sir Antonio Pappano conducts the London Symhony Orchestra in Elgar’s Violin Concerto and an out-of-this-world account of Holst’s The Planets.

*****

A rapt performance from Tenebrae in Joby Talbot’s Path of Miracles

David Truslove, 13th May

Thought-provoking and spine-tingling in equal measure, this performance of Joby Talbot’s pilgrimage work showcases Tenebrae as one of the UK’s most significant choral groups.

****1

A luminous start to Rachmaninov's anniversary year from Tenebrae

Benjamin Poore, 26th January

Nigel Short's elite consort casts a candlelit spell at St Martin-in-the-Fields in a performance of Rachmaninov's All Night Vigil.

****1

Light amid darkness: stellar performance from Tenebrae

David Larkin, 22nd January

An exquisite evening of British 20th-century choral music from Tenebrae under Nigel Short at the Sydney Festival, with outstanding renditions of the music of Parry, Bingham and Stanford.

*****

Tenebrae performs Tenebrae at the Sydney Festival

Zoltán Szabó, 21st January

British choir Tenebrae performs Masterworks of the Renaissance in Sydney's City Recital Hall.

****1

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Tristan Labouret

Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.