Les Modigliani, princes du quatuor à Radio France

Le Quatuor Modigliani

By Pierre Michel, 24 September 2025

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“Le premier Beethoven du concert était déjà superlatif, le second sera exceptionnel”

Reviewed at Maison de la Radio et de la Musique: Auditorium, Paris on 23 September 2025

Haydn, String Quartet no. 67 in F major, Op.77 No.2, Hob III:82

Beethoven, String Quartet no. 4 in C minor, Op.18 no.4

Beethoven, String Quartet no. 8 in E minor, "Razumovsky", Op.59 no.2

Modigliani Quartet

Amaury Coeytaux, Violin

Loïc Rio, Violin

Laurent Marfaing, Viola

François Kieffer, Cello

A history of feminine music: a starry lineup in Paris

David Karlin, 8th March

Dreisig, Degout, Jaroussky – the cream of French singing puts the history of female composers on show for International Women's Day.

***11

Sublime Schubert at Rencontres Musicales d’Évian

Mark Pullinger, 6th July

The Paris-based Quatuor Modigliani are joined by special guests for an evening of Schubert quintets in Évian-les-Bains.

****1

All-Schumann evening at Wigmore Hall

Nahoko Gotoh, 30th December

An all-Schumann chamber music concert doesn’t come around that often even at the Wigmore Hall, so I was delighted that the Modigliani Quartet presented a programme of his major chamber works with pianist Beatrice Rana.

****1

Replacement player no bar to Modigliani Quartet success

David Larkin, 12th October

To lose a player on the eve of a tour is nothing short of a disaster for a string quartet. However, substitute cellist Christophe Morin fits in well with the rest of the Modigliani Quartet in a revised program in Sydney.

****1

Modigliani Quartet - Wigmore Hall

Sebastian Scotney, 4th July

Modigliani Quartet - HaydnString Quartet in B flat Op. 76 No. 4 'Sunrise' String Quartet in G Op. 77 No. 1 The Quatuor Amedeo Modigliani - Philippe Bernhard, and Loïc Rio, violins, Laurent Marfaing,viola and François Kieffer, 'cello -comes garlanded with prizes.

Le Quatuor Modigliani entre ciel et terre à Radio France

Pierre Michel, 4th April

De Kurtág à Brahms en passant par Beethoven, le quatuor a montré l'étendue de sa technique, définie par une homogénéité parfaite et une écoute mutuelle attentive.

****1

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Pierre Michel

Né dans une famille de musiciens, Pierre suit un cursus varié au sein du Conservatoire de Meudon, entre piano (DEM) et contrebasse, récital et orchestre, classique et jazz. Aujourd'hui ingénieur dans la gestion et l'analyse de données, il fréquente très assidûment les salles de concert de la région parisienne pour consolider et approfondir sa passion pour la musique classique. Pour ne pas manquer ses prochains articles, rendez-vous sur son compte Instagram ricerc_art.