Jérémie Rhorer donne des ailes à Mozart

By Thomas Muller, 12 November 2017

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“souplesse, vivacité, esprit et fraîcheur”

Reviewed at Victoria Hall, Geneva on 8 November 2017

Mozart, Don Giovanni, K527: Overture

Mozart, Concerto no. 10 in E flat major for two pianos, K365 (K316a)

Tchaikovsky, Symphony no. 6 in B minor, "Pathétique", Op.74

Jérémie Rhorer, Conductor

Adam Laloum, Piano

Rémi Geniet, Piano

Let’s dance! Kantorow's Tchaikovsky enchants Rome

Alissa Balocco, 8th June

French pianist Alexandre Kantorow and conductor Jérémie Rhorer make successful debuts with the Accademia Nazionale di Santa Cecilia.

*****

Jérémie Rhorer conducts monumental Beethoven in Berlin

Elena Luporini, 2nd April

One of the leading events of the Staatsoper Unter den Linden's Festtage, Jérémie Rhorer's interpretation of the Missa solemnis is a monument to the composer... but its marble is not always too cleanly carved.

***11

Don Giovanni “dans un bois (not so) solitaire” at Dutch National Opera

Nicolas Nguyen, 4th November

Claus Guth’s Don Giovanni returns to Amsterdam with an almost entirely new cast with strong leads by Seth Carico and Adrian Sâmpetrean.

***11

Tales from the Stave: Barbiere at EIF

David Smythe, 5th August

Laurent Pelly’s elegant musical stave production of Il barbiere di Siviglia, from the Théâtre des Champs-Elysées, charms and delights at the Edinburgh International Festival.

****1

A rake's progress: Don Giovanni let loose in Aix

Mark Pullinger, 6th July

Jean-François Sivadier's pulsating new production propels The Don through his lusty adventures at a whirlwind pace.

*****

An emotional dedication: Duruflé & Fauré Requiems at the Royal Festival Hall

Olivia Bell, 4th June

Despite being a little rough and ready at times, the Rodolfus Choir and superb Philharmonia captured a moving sense of stillness in these two popular works

***11

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Thomas Muller

Podologue spécialisé en Education Thérapeutique du Patient et Diabétologie, chanteur, administrateur de choeur, fondateur d'orchestre et ancien hautboïste amateur, Thomas est passionné de musique et particulièrement vocale. Toujours sensible aux timbres des orchestres et de la capacité des musiciens de développer un chant musical qui provoque chez l'auditeur une émotion vraie, en dehors de tout intellectualisme.